Running away from the end of the world Painting

In his artworks, Cristian Ienciu begets acute dramatic tensions, engendered by strong lines and large imposing shapes on whose background there are often placed social narrative sections. These visual social pamphlets are usually approached in a sarcasm key, black humor and/ or absurd, filtered through the new media lens, with which the modern man involuntarily interacts daily. Initially, the viewer is approached almost aggressively by chromatic contrast and space abundance. Subsequently, apparent common subjects raise questions and interpretations in the viewer's mind. These interpretations are nourished by a so called abandon of work surface, the artist preferring vast spaces left void in the background.