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art book for children (Notes Edition, 2011)

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arbre Painting

Fabrizio Monetti

Italy

Painting, Enamel on Canvas

Size: 50.8 W x 50.8 H x 1.5 D cm

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€2,763

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Painting: Enamel and Acrylic on Paper. THE EMPTY AND FULL SPACE Une autre facon de voir les arbres by Piergiacomo Petrioli When you draw a tree, you have to feel you are lifting up Chinese proverb It is clear that the genuine artist by using his sensiblity and genius can reveal a new percepti...

Year Created:

2008

Subject:
Styles:
Mediums:

Painting, Enamel on Canvas

Rarity:

One-of-a-kind Artwork

Size:

50.8 W x 50.8 H x 1.5 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Fabrizio Monetti exibited in various personal and collective art exibitions (gallery G. Salzano in Turin catal. by P.Fossati, Gallery Annunciata in Milan). From then he devoited himself to the study of Arbres and of Towers. By commission of Regione Piemonte he prepared the ARBRE and the PIETRAIA for the Salone del Libro 2001. With Guido Quarzo he published three art children books: "Il Costruttore di Torri" (Hopefulmonster, 2000), "Nella casa del Signor Tuono" (Lapis, 2006), "The invention of trees from 7 to 21" (Notes, 2011). Theese stories inspired homonymous performances. The originalityof theese books is that writing follows imagines and not viceversa. In 2008 the "Costruttore di Torri" was also subject of degree dissertation at the University of Florence by Lucia Mazzoncini (History of Art Criticism, prof. Piergiacomo Petrioli).

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