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View In My Room
Photography, Black & White on Paper
Size: 23.6 W x 33.1 H x 0.1 D in
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Artist featured in a collection
All creatures are travelers in time. Time creates everything and destroys them all. Whether the fresh flower, the beautiful human face, the weathered board, or the broken mirror pieces, everything is the same in essence, but just in various forms by existence. My creation is deeply rooted in and i...
2023
Photography, Black & White on Paper
Limited Edition of 24
23.6 W x 33.1 H x 0.1 D in
No
Not Framed
Certificate is Included
Ships Rolled in a Tube
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China.
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Xidong Luo is a self-taught fine art photographer based in Shenzhen, China. She specializes in mirror fantasies—a unique blend of self-portraiture and still life that captures life’s transient beauty, the inherent vulnerability of femininity, and the profound kinship between women and nature. Deeply rooted in Taoist philosophy ( 物我合一“Heaven and earth coexist with me; all things and I are one”), Luo’s work visualizes the interconnectedness of all existence. Her signature mirrors draw inspiration from the Chinese idiom 镜花水月 ( “fllowers in a mirror, moon on water”) —a metaphor for life’s illusory and ephemeral nature. These reflective surfaces multiply dimensions, infusing her surreal compositions with emotional gravity while questioning reality’s very fabric. Luo’s artistic practice crystallized during China’s pandemic lockdowns, though its seeds were sown through earlier metamorphoses. After a decade as a portrait photographer and an IBM professional, her 7-year Himalayan backpacking odyssey fine-tuned her sensitivity to nature’s whispers—a dialogue that erupted into her Self-Reflection series when COVID-19 confined her to a world of mirrors and decaying botanicals. Years of dance practice manifest in every frame she creates. Her body communicates through trained precision: a fingertip’s tension echoes a poem’s caesura, a back’s curve holds the weight of unsaid words. This discipline allows her to distill elegance, rhythm, and raw femininity into a single gesture, making her self-portraits not mere images but choreographed meditations on existence. What began as pandemic catharsis has evolved into a meditation on existence itself. The falling leaves and withered flowers in her works function as memento vivere rather than memento mori; even their brittleness pulses with quiet resilience. Now exhibiting internationally, Luo’s work bridges Eastern philosophy, classical Chinese aesthetics, and contemporary surrealism, proving that a mirror can indeed hold the entire universe.
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