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syntactic # 2 Limited edition 2 of 6 - Limited Edition of 6 Photograph

Cesar Azcarate

Spain

Photography, Color on Aluminium

Size: 169.9 W x 110 H x 3 D cm

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

syntactic # 2 is a picture of a cooling tower not finished due to a catastrophe the texture of the concrete, the oculus and the fog are the combination for an unusual view for this kind of industrial buildings. This picture is available on “Chromalux Art” the state of the art printing system on alum...

Year Created:

2019

Subject:
Mediums:

Photography, Color on Aluminium

Rarity:

Limited Edition of 6

Size:

169.9 W x 110 H x 3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Bilbao, Spain, 1966 PhD Architect and photographer Living and working in Bilbao, teaching architecture in Pamplona Books: -Historia de un sueño, ed. IDOM, 1997 (the story of a dream) -Catedrales Olvidadas. La red nacional de silos en España (1949-1990), ed. T6 y Gobierno de España, 2009 (Forgotten Cathedrals. The national net of silos in Spain (1949-1990). In the first book, I had the opportunity to follow the works of the Guggenheim Museum in Bilbao and it offered me the challenge to explore the incredible changing spaces in this fantastic building during its construction. The second book, as a result of my PhD eventually finished in 2008, reflects a graphic, theoretical and personal interpretation of the silos as fascinating constructions, which were not made by architects. This work is a special kind of tribute to the engineers who created these buildings in particular, and for all the anonymous architecture in general. In this research I counted on the help of my friend and professional photographer Luis Prieto, who interpreted my ideas about the pictures of the silos. I love architecture and photography with a specific and personal perception about the relationship between them. I enjoy feeling the power of abandoned industrial spaces and the capacity for infinite suggestion of the spaces under construction.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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