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What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part.

A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part.

A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part.

A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part.

A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part.

A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.

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Abstract Wood Sculpture - Form and Formless No.3 - Yellow Cedar - Freestanding, Modern, Contemporary, Original, Dynamic, Fluid, Smooth Sculpture

Mike Sasaki

Canada

Sculpture, Wood

Size: 16.5 W x 10.2 H x 10.2 D cm

Ships in a Box

SOLD
Originally listed for $1,239

2214 Views

78

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an ins...

Year Created:

2018

Subject:
Method:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

16.5 W x 10.2 H x 10.2 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

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Need more information?

"The wood forms are a consummation of my passions for drawing, sculpting and metaphysical pursuits." As a child I would take to drawing whatever interested me, be it hockey goalies in action, mammal anatomy, or comics. These long hours of drawing lead to making art a focus of my formal education. After graduating from the Bachelor of Design Honours program at York University / Sheridan College in 2005 (where I regularly incorporated hand-drawn material into the designs), I lived in Tokyo for 5 years where I was immersed in traditional and modern Japanese culture. Studying martial arts helped to strengthen my already growing interest in philosophy and metaphysics. In my search for a hands-on approach to life and work, sculpting in wood came like an epiphany. The forms are a consummation of my passions for drawing, sculpting and metaphysical pursuits. I am currently living and working in Metro Vancouver where besides the sculptures, I am also developing a body of painting and relief wall artwork.

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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