Hilda Kieseritzky

I admire the conciseness of Japanese haiku, the contemplation in the works of Agnes Martin and Marc Rothko, and the magnificent colorfulness in the late work of David Hockney. In the silence of the music of Eric Satie and Jan Garbarek, I breathe a sigh of relief. Full of admiration, my imagination travels with the writers who are able to create with their language images and places that embrace the whole person.

For many years I have been exploring the fine line where a line ceases to describe an object and begins to move freely in space. I am equally amused when I observe how the line that the pencil I wield leaves on the painting surface bends, lays and stretches into representational objects. I like to play with the readiness of the brain to interpret small hints.

In the patterns of old and new textiles I discover a visual language that inspires me. It also flows into the new cycle of paintings, which was created under the impression of the Corona Lockdown (Touched Nature). The events and conditions in the current Corona period made me think anew about nature and the influence of man. Looking at this cycle of paintings, I discover my doubt in the integrity of nature, which is visible in the shapes and colors, and a great c...

Master of Fine Arts, University of Fine Arts, Muthesius Kiel, Germany

2023 Aeroe/ Denmark
2022 Aeroe/ Denmark
2021 Nienburg, Germany, Baltic Blue
2020 Sulingen, Germany, Collagen
2019 Nienburg, Germany, Denkräume, Objekte und Installation
2018 Wunstorf/Hannover, Germany
2018 Ronnenberg/Hannover, Germany
2017 Nienburg, Germany
2016 Verden, Germany, Award
2015 Syke, Germany
2014 Syke, Germany, Award
2014 New York, USA
2013 Sofia, Bulgaria
2013 New York, USA
2013 Columbus, USA
2013 Hannover, Germany
2012 Sofia, Bulgaria, Award
2012 Bremen (Kap Hoorn), Germany
2012 Nienburg, Germany
2011 Nienburg, Germany
2010 Hassbergen, Germany
2009 Steyerberg, Germany
2008 Norderney, Germany