Cremona, lombardy, Italy
I was born in 1960 in Rovereto, Trento. I studied at the Brera Academy of Fine Arts in Milan. I wor...
About the artist
Joined In 2018
(10 Followers)
About the artist
Joined In 2018
(10 Followers)
I was born in 1960 in Rovereto, Trento. I studied at the Brera Academy of Fine Arts in Milan. I work in Milan and Cremona, for me art is absolute freedom, freedom to explore different spaces and styles. I work with my heart, my brain and my hands, I am also a ceramist and I love drawing very much because I consider drawing the basis of art, the beginning of a project. I make no difference between informal, abstract and figurative: for me they are the same thing. I paint mainly in acrylic but also in spray painting and oil on canvas. In the sculpture I prefer to model clay , in the drawing I use pencils. I consider myself a pop artist because by now all the world is pop.
Solo exhibitions
2015
The origin of the world, Trecchi palace, Maleo (Lodi)
2012
God save the mankind, galleria Monopoli gallery, Milan
patchworks, palazzo palace, Lograto (Brescia)
2007
Painting shuffle, Luisa Delle Piane gallery, Milan, curator Alessandra Galasso°
2006
Fashion covers, il triangolo gallery, Cremona*
Cover cremonesi, art gallery museum of Cremona*
2000
Principle of exsistence, Neon gallery, Bologna, with text of Marco Senaldi
1998
collections, Maria Cilena gallery, Milan, curator Chiara Guidi
1996
Archive, Giancarla Zanutti contemporary art gallery, Lanciano (CH)
Collective exhibitions
2018
Naturalisms, Galleria Zanuso, Milano, curator Horacio Goñi *
2016
Contexto, Edolo (BS) *
2015
Mauro Maffezzoni “re mixing”, Borgogno space, Milan
2013
Marta Guerrini / Mauro Maffezzoni / Mala.Arti Visive / Riccardo Vanni, Casabianca gallery Zola Predosa (BO)
Absolut Testori, Novate Milanese (MI), a cura dell’associazione Giovanni Testori
2009
Happy days: 22 artists in 22 rooms, Giovanni Testori’s house, Novate Milanese, Milan
2007
Painting codes, contemporary art museum, Monfalcone (UD), curators Andrea Bruciati and Alessandra Galasso*
2003
Cover theory, Officin...
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