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12 x 16 in ($95)
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957 Views
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This piece is part of a collection about the merge of classical beauty with contemporary elements. It plays with the hardness of the materials and uses the eyes as a way to bring the recognized emperor back to life. The artwork is based on an ancient roman sculpture approximately from the second c...
Year Created:
2020
Subject:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
12 W x 16 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Veronica Chacon
Venezuela
Verónica Chacón was born in Valencia, Venezuela in 1997. She studied and was an assistant teacher at the “Giovanni Baptista Scalabrini” art academy (Venezuela) since 2015 to 2019. Later, she studied in Buenos Aires, Argentina with the artist Ricardo Celma. Constantly developing her vision and pictorial technics. She started her career studying and painting the Italian masters. Now she is committed to apply these knowledges in every industry. Also, and consequentially, she remains in love with oil medium as main element of her work. She has the determination to merge classical beauty with contemporary elements. Her paints reveal the use of colorful backgrounds accompanying symbolism and conceptual elements in the framework of historical realities and figures. Verónica Chacón is a figurative painter who brings reiteration of esthetical ideas considering ancient motifs and new paradigms. She believes that every portrait holds a mystery. Also, by studying and painting the roman emperors and Greek gods’ sculptures, she plays with the hardness of the materials (mainly marble and bronze) and with the softness of the expressions, using the eyes as a way to bring them back to life. Currently Veronica is working in her new collections and expanding her studies of human anatomy and portraiture online.
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