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Animated Angels ///4 - Limited Edition 1 of 25 Print

Chiara Zaccagnini

United Kingdom

Open Edition Prints Available:
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21 x 14 in ($232)

21 x 14 in ($232)

24 x 16 in ($250)

30 x 20 in ($286)

36 x 24 in ($358)

45 x 30 in ($556)

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Black Canvas

White Canvas

Black Canvas

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White ($150)

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$232USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The pictures capture flying animated marble angels moving on the Ponte Sant’Angelo Bridge in Rome. The project explores movement and photography, using the camera to generate dynamic movements from static monumental forms: statues. The collection is inspired by Etienne Jules Marey work on motion, it...

Year Created:

2017

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Architect and Artist interested in Emergent technology Art and Architecture, based in London currently working for AL_A Architects. She recently completed the new extension of the Victoria and Albert Museum that opened in June 2017. She took part at the Royal Academy Summer exhibition 2017 with two illustrations commissioned for AL_A. The images captured the V&A construction process as an abstracted framework of lines that reveals the invisible building structure. The illustration was created by overlays of multiple technical drawings used during the V&A building construction. Her research as an Artist focuses particularly in the cross boundaries between the fields of art and architecture, the dialogue between digital and reality, realism versus abstraction. She uses technology and photography as a generative tool for creating sculptures and installations. Her research explores identity and resolution a key to decode the encrypted portraits of our present society. Modern Digital society and the identity in contemporary Art are considered the key aspects of a emergent art scene. Her work investigate coding as tool that is used to explore oil paintings, photography landscapes, portraits and pop art through a new language. Digital photography is the key tool for her work, combined with 3D printing and painting: the digital image gets dismantled in to abstract imagery that then is being reconstructed into a new form. She works with a fluid dynamic production process that uses photography and programming in line with new technologies such as 3D printing to translate abstracted digital language in to a tangible form and sculptures.

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