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Expressway / Diopter (Different Kinds of Darkness) Print - Limited Edition of 6
Daniel Freed
Open Edition Prints Available:
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Canvas
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16 x 12 in (€162)
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Black Canvas
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€162
20 Views
3
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The tip of the Empire State Building, NYC, serves as the diopter split line for this bifocal, long exposure capture. The expressway moving westward, toward Manhattan, places two color fields in apposite perspective (red and blue, respectively). To the right, the tip of the Chrysler Building glitters...
Year Created:
2019
Subject:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
16 W x 12 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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PRÉCIS + PROCESS + PAST-PRESENT: PRÉCIS: Light continuously shifts and suffuses. Never quite known, light occasions fresh perspectives for the attentive eye. Photography for me inhabits a space somewhere between poetry and motion picture film, my primary areas of advanced training. INSPIRATION: As many of my recent photos were taken in New York, I sometimes reflect upon the wisdom of gifted New York photographer, Saul Leiter. Leiter suggests, "there are things that are out in the open, and there are things that are hidden, and life has more to do, the real world has to do, with the things that are hidden. You think?" I offer my recent work in a spirit of discovery, a search for "the things that are hidden." PRINTMAKING PROCESS: Signature editions printed exclusively for the artist by Brooklyn Editions' Master Printmaker, New York City. PAST-PRESENT: I grew up as an artist, and gradually branched into other media. Crossing boundaries and investigating form naturally extend my creative and writerly output. Earlier, I worked on aesthetics with late philosopher Jean-François Lyotard. Temporal and phase transitions -- chemical, Kantian, disjunctive -- and a delight in the process of naming inform and inflect my work. ARTIST SITE: "Occasional Light":
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