"Roses" Painting
Painting, Oil on Canvas
30.5 W x 59.9 H cm
Ready to Hang
SAR 908
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Roses! it is a symbol of love. But unfortunately they are not that durable. Everything is perfect in them! their shades and smell, flowers open to the sun and modest delicate buds, romance and love! save them on canvas, and the moment of their beauty will turn into eternity. ¡Rosas! es un símbolo d...
Year Created:
2019
Subject:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
30.5 W x 59.9 H x 2 D cm
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
14-day return policy. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.
My paintings are about nature as memory — fragments of light, movement and color that stay with you after the moment itself is gone. I work primarily in oil, building up texture in layers until a landscape feels less like a view and more like a feeling: the heat before a Mediterranean storm, the last color of a vineyard before harvest, the strange stillness of a myth half-remembered.
I came to painting late, and by a long road. For fifteen years I worked as a pediatrician in Kazakhstan — work that asks everything of you and gives back both joy and loss in equal measure. When my second son was born, I was thirty-seven, and something in me finally had room to open. I picked up a brush and never really put it down.
Moving to Spain changed my palette before it changed anything else. The paintings that once stayed muted and heavy became brighter, saturated, more alive — the sea does that, I think. Most of my early work stayed behind in Kazakhstan; what I paint now is, in a way, starting over with everything I've learned.
I'm self-taught — my education came from masterclasses, from standing in front of paintings in museums across the world for far longer than was polite, and from an analyst's habit of taking a piece apart before I ever pick up a brush. I still think that way about every new canvas.
Art in the same spirit
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