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Artwork 150mm*150mm. Framed 230mm*230mm
Vitreous enamel closeup, showing relief
Enamel powder artwork, ready for firing at 800C.
One of an experimental set of 3
Already framed, with explanations on the back.

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Chaotic palette 2-0825 Sculpture

Andrew Morton

France

Sculpture, Relief of Enamel

Size: 15 W x 15 H x 2.5 D cm

Ships in a Box

$605USD

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This unique work combines industrial and jeweller enamelling techniques and a fine art aesthetic. A 1.5mm specialist steel plate has been coated with a satin black ground coat fired in an industrial oven at 810C. Twelve different vitreous glass powder enamels were then wet packed onto the surface an...

Year Created:

2025

Subject:
Styles:
Method:

Sculpture, Relief of Enamel

Rarity:

One-of-a-kind Artwork

Size:

15 W x 15 H x 2.5 D cm

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Need more information?

I have practised art on the sidelines for 50 years and am now finally able to really invest some serious time in what I truly love to do. Following a 35 year career in engineering and in the United Nations, I have pivoted to start my next dual career as a futurist – someone who studies and advises on the future, and an artist. In practical terms this entails research and non-fiction writing, the creation of future-themed artwork and strategic foresight consultancy. I note the oncoming AI tsunami on digital art and its broader implications for painting, graphics and printing. As such I believe that the 5-30 year future of top end human made fine art now lies mainly in multi-material complex 2D and 3D sculptures.

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Curator - Audrey Wolfe

Audrey Wolfe, Assistant Curator