Petros Sianos

Drawing is for Petros Sianos a very direct form,as well as the expression and the sculptural language itself, influenced by role models from arts histories, stimulated by contemporaries, literary as well as musical associations, recurring tags of memories from childhood, experiences and fears. The artist is ultimately left to his own . He listens from within, unimpressed from fashion and strange advice, in addition, drawing is in the best case subversive, essentially independent of place, time and working conditions. Sianos uses the advantages of a studio, but similarly the independence of being in nature and in a large city. HIs complete work happens always and everywhere. The speed, in which humans take in impressions, changes depending on their own emotions ,how excited or indifferent they are ,whereas the rhythm of the objective world in which he realizes, carries on, unaltered in speed. (PUDOWKIN 1983:315) Sianos art is an ideal instrument in which to clarify his private universe -to get closer to his world, a sense to produce,in concentrated form.For him it is not about drawing a line or drawing a piece,its more about giving a sense to the minimum, in which Jean François Lyotard refers to... formulating thoughts, in order to...

Petros Sianos


Born 1971 in Wolfratshausen München, lives and works in Munich

1998 Drawing school Seger, Munich

2001 Akademie der Bildenden Künste München
Guest student , Freie Kunst,
Klasse Prof. Jerry Zeniuk

2002-09 Akademie der Bildenden Künste München
Hochschulstudium Malerei und Grafik,
Klassen Prof. Nikolaus Lang
and Prof. Hermann Pitz, Fine Art Diploma

2015 - 17 Visual Design and Therapy, Advanced
degree programm for artists and art teachers,
Prof. Senta Connert