Saimir Mullalli

Art has been inseparable from my life since the very beginning. I did not come to it as a profession later in time — it was always present, a natural gift and a way of being. Over the years, this vocation was given structure through formal study in art high school and university, and it matured further through the long experience of directing my own gallery. Yet beyond training or career, my identity as an artist has always been rooted in a deeper calling: the need to let painting reveal what words cannot hold.

The works presented here belong to an earlier current in that journey — explorations that moved through the great streams of modern painting, from the luminosity of Impressionism to the intensity of Expressionism, and the many variations they inspired. They are not imitations of schools, but authentic searches in which color, gesture, and vibration became my own language.

Today, my practice unfolds in BËRTHAMA — A Philosophy of Revelation, where painting and philosophy converge in silence and presence. These earlier works remain part of the same river: vital currents that opened the path toward what I create now, and that continue to carry the resonance of presence into the present moment.

My formation as an artist has always been more than academic — it is a vocation that has accompanied me since childhood. I received formal training in art high school and later at university, where study gave structure to a gift that had been present from the beginning. Yet my true education has never stopped. It has unfolded through decades of painting, independent exploration, and the lived experience of directing my own gallery. Every stage of this journey has been a continuation of the same current: art as a way of being, as a language of presence.

Exhibitions have been central to my practice from the beginning. I have presented work in solo and group shows over many years, reaching audiences both nationally and internationally. For a long period, I also directed my own gallery, curating exhibitions that brought my work and the work of others into conversation. These experiences deepened my understanding of how paintings inhabit space and how they reveal themselves differently depending on the context in which they are shown. Exhibitions are not simply stages in a career — they are thresholds where the work meets presence in new and unpredictable ways.