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This piece of Kate Moss is partly made up of streetposters, collected from the walls of Amsterdam. A collage of teared streetposters in combination with spray paint creates a richly-textured total. Afterwards acrylic is applied to this work followed by application of a lacquer which gives the artwork a shiny finish.
Print:Giclee on Fine Art Paper
Saatchi Art Limited Edition of:100
Size:10 W x 10 H x 0.1 D in
Certificate of Authenticity:Yes, Signed and Numbered
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Ready to Hang:Yes
Packaging:Ships in a Box
Exclusive to Saatchi Art:Saatchi Art’s curators have worked with artists from around the world to hand-pick every artwork we offer as Limited in order to provide you with an unmatched selection of limited edition prints. We are proud to offer "It's a sin to be tired" by Michiel Folkers, which is available exclusively on Saatchi Art.
Limited Edition Prints:Artworks in a limited edition have a set number of prints available for each size offered. For the 10 x 10 size edition, "It's a sin to be tired" comes in a limited edition of only 100 prints. Once all 100 of the prints in this edition size have sold out, there will be no other prints of "It's a sin to be tired" available in the size of 10 inches high by 10 inches wide. Limited edition prints of this artwork may be available in other sizes.
Framing Options:Custom frame options are available in solid wood and each framed artwork ships ready to hang––right out of the box. Choose from black, white, or natural wood frames in a classic "box" style.
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
The term "limited edition" has various meanings depending upon the artist, publisher, distributor and seller (or reseller). Saatchi Art uses the term "limited edition prints" to denote two dimensional art prints available through a pre-publication license agreement between the artist and Saatchi Art and sold pursuant to an exclusive prints publication arrangement.
This exclusive arrangement with the artist establishes a total maximum number of prints based on a single original high resolution digital image of a specific work of art created by the artist for limited and exclusive reproduction based on different paper type and/or dimension of the print. Certain information about the limited edition print and sale will be provided to buyers in a Certificate of Authenticity which is included with the purchase of each limited edition print through Limited by Saatchi Art. Saatchi Art is selling "limited edition prints" in compliance with the standards of disclosure established by California law regulating the sale of limited edition art prints. The image for any limited edition print may, in certain circumstances, be licensed by the artist for reproduction on other consumer products, such as phone cases, apparel and other home décor accents (but excluding two dimensional art prints).
California law provides for disclosure in writing of information concerning certain fine prints, photographs, and sculptures prior to effecting a sale of them. This law requires disclosure of such matters as the identity of the artist, the artist’s signature, the medium, whether the multiple is a reproduction, the time when the multiple was produced, use of the plate which produced the multiple, and the number of multiples in a "limited edition." If a prospective purchaser so requests, the information shall be transmitted to him or her prior to payment, or the placing of an order for a multiple. If payment is made by a purchaser prior to delivery of the multiple, this information will be supplied at the time of or prior to delivery, in which case the purchaser is entitled to a refund if, for reasons related to the matters contained in such information, he or she returns the multiple in the condition in which it was received, within 30 days of receiving it. In addition, if after payment and delivery, it is ascertained that the information provided is incorrect, the purchaser may be entitled to certain remedies, including a refund upon return of the multiple in the condition in which it was received.
Buyers of limited edition prints are entitled to a Certificate of Authenticity upon request prior to placing a limited edition print order online, or at the time of or prior to delivery of the limited edition print. Every limited edition print sold through Limited by Saatchi Art comes with a Certificate of Authenticity which includes a certification that the "information and statements contained therein are true and correct."
Saatchi Art is the exclusive distributor of limited edition art prints available for sale on Limited by Saatchi Art. In certain circumstances, the artist of a work available as a limited edition art print on Limited by Saatchi Art may license the image of the subject work for reproduction related to the sale of other consumer products, such as phone cases, apparel and other home décor accents (but excluding two dimensional art prints). The manner and consumer goods on which the image is reproduced are at the discretion of the artist, but the artist is precluded from permitting the subject work to be made available for reproduction on two dimensional art prints other than limited edition prints available for purchase on Limited by Saatchi Art.
A limited edition print that recites the number 2/25 means that the buyer is purchasing the second published print in a maximum print edition of 25 total prints (plus any proofs) of a specified size and dimension based upon a high resolution digital image of the artist’s original work of art. The Certificate of Authenticity tells the buyer if more than one edition has been published from the original image. For example, a print numbered 2/25 in a limited edition of 25 could be sold measuring 12" x 24" and another print numbered 2/15 in a limited edition of 15 could be sold measuring 24" x 36". The Certificate of Authenticity in that example would show that the total number is 40 prints (plus any proofs).
Michiel Folkers was born in 1982 in Zeist, a small place near Utrecht in The Netherlands. In the nineties skateboarding and graffiti were common and popular pursuits in his neighbourhood. He started experimenting with graffiti in the late nineties. For years, he remained active spraying letters on walls. When he got older, and more ‘mature’ and tired of the fights that are accompanied with graffiti, he was looking for something else and slowly graffiti evolved in street art. The friendlier en less illegal character of street art attracted Michiel above graffiti. Besides, working with stencils was a much better technique to get more details done better and faster. In addition to colouring walls, Michiel began experimenting on canvas. He started by painting a series called ‘anti-heroes’. Focussed on B-listed celebrities / ‘famous’ people from Holland. “In popart everyone was painting Jim Morrison or Marilyn Monroe. So I thought it would be more striking to paint unpopular celebrities”. It worked, in a way that people started noticing his art, but nobody would hang a B-Listed actor from Holland on his or her wall.” The stencilling style was also over its peak in his opinion, and slowly he started experimenting with new different techniques, like collage. In Holland there are more festivals than bikes. Festivals promoting their party’s often with eye-catching posters, pasted on walls. Interested in the graffiti layered above these posters most of the time, but also fascinated by the aesthetics of these posters, Michiel was always observing these ‘collage-walls’. In his eyes these walls could go straight to museums. When he saw work of Raymond Hains and Mimmo Rotella that same year, he was convinced to use collage with street posters as a standard for his new series of artworks. Today he is still using these kinds of street elements in his art. His work is often made up of posters he collects from the murky walls of Amsterdam: “Sustainable art, and it gives an edgy and living character to the painting. Street posters are dirty, bleached and scratched most of the time, this always gives the artwork a living character, as if it’s a part of the street. From damaged festival posters to ‘find-my-cat-flyers’, everything with a nice colour-palette will be used.” Common themes in Michiel’s work are recognizable icons, mostly women, but also famous and non-famous comics. Since 2017 Michiel is working more abstract.
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