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Philip Leister
Canvas
12 x 16 in ($95)
Black Canvas
White ($135)
110 Views
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Artist featured in a collection
Audrey II, pet named Twoey, is the main antagonist in every version of Little Shop Of Horrors. The plant requires human blood to survive, and in the musical, the plant's origin is from outer space, while in the 1960 Movie, it was called Audrey Jr. and was a cross between a Venus Flytrap and a Butterwort. Audrey II was bought by Seymour from an old Chinese man by the name of Chang, a florist that sold other exotic plants, for just "a dolla' ninety-five!" At first, Seymour just thought of Audrey II as a sort of Venus Flytrap, yet all the different types of food and care he gave it didn't work and caused it to grow weaker. Eventually, Audrey II grew larger into a hideous beast that gained the ability to talk and soon began to beg Seymour for more food, upgrading from blood to human meat as well. Audrey II played with Seymour's emotions to convince Seymour to kill Orin Scrivello, a sadistic evil dentist who abuses Audrey, Seymour's love interest, and also took advantage of Seymour nearly getting arrested to kill Mr. Mushnik, his boss (who later adopts him before dying) for food. Source: Little Shop of Horrors Wiki Audrey II: Feed me. Feed me! Piney: You’re not a tree. You’re a plant. Audrey II: Yes, but I identify as a tree. I’m a trans-plant. HAHAHA.
2022
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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