Equilibrium Drawing

Physical experience is a starting point in my practice. I translate my psychosomatic process into two-dimensional forms. However, while drawing I perceive the space of the image as 3-dimensional. Mentally, I touch shapes and feel their surface, texture, density, and scale relative to my body. I imagine how the form would react if I touched it. The sketch begins with a stroke or line and I let the picture unfold, to grow as if the entire image had existed in embryonic form in the first line. Embodied emotions can trigger psychosomatic processes. So an art object can fall under the skin. My methodology is not only composition and the search for harmony but also bodily experience. I feel the form appearing and I help it become visible. I study it carefully: does it want to unfold and occupy all the space or curl up and tie into a knot, how does it move, the temperature of its body, and how fast does it move? Gestural marks add a sense of physicality, so the body is still present even if there are no figures. At the same time, more detailed and realistic elements draw attention and let the image unfold.