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VIEW IN MY ROOM

I SEE BEAUTY IN DEATH Print

Ann Supan

United States

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About The Artwork

This is a flower drawing study based on my mother's 40 Days dried roses... No one is meant to live forever. Each person has his own destiny, he goes to another world in his time. To explain these phenomena, there are a large number of Christian customs. According to old Filipino beliefs, the soul leaves the human body. After forty days of ordeal, she finally finds her place. Here she will wait for the Second coming. It will determine the permanent place of residence of the newly departed soul. On the 40th day, relatives arrange a Wake, order a prayer in the Temple for the repose. They give her the opportunity to go through all the heavenly trials with the Lord God. By their actions, relatives provide the soul of the deceased with future eternal life, hand its fate into the hands of the Almighty. I used Pastel Colored pencils on the initial layer of this piece and then another layer of Colored pencils to get the mix of "maturing" color effect & paper like texture right. Fixative was applied on every layer. Finishing it with touches of white watercolor for the molds and charcoal powder is diluted for the background.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

'What if?' will always be the question Ann Supan tends to ask herself every now and then. She is an Engineering graduate who knows she wanted to be an artist since she was 10 years old. Currently living in the U.S.A. Her main interest in art is portraiture as it is her ambition to express beauty and emotion on her work. She focuses mainly on likeness as her technique and style is simple. Recently, she has been making "dual portrayal" portraits in order to make her work "thought provoking" as well. She specializes in traditional drawing in the categories of figure drawing, illustration and shading using graphite and charcoal as her main medium. She also likes to use different mediums as shown on her selective impressionistic pieces. Through years of practice and explorations her artworks now revolves around realistic and impressionistic form. Although Van Gogh is best known for his landscapes, Ann greatly admire him for his thoughts and theories about art. Being such, Ann draws the line between "realism art" and the amazing "photo realistic/hyper realistic art" people call nowadays...as Van Gogh said - - "Accurate drawing, accurate colour, is perhaps not the essential thing to aim at, because the reflection of reality in a mirror, if it could be caught, color and all, would not be a picture at all, no more than a photograph." She takes pride on her hand drawings in terms of representing realism art though it's something not a lot of people appreciates. Impressionism, on the other hand, feels so liberating for her even though it's the form of art that can usually be misinterpreted. The profoundness of one's imagination may be beyond the reach of someone else. She first ventured on impressionism when she brought her ANIMESIA series to life last February 2013. As someone who has been employed by others to achieve their company's mission and vision, she tends to adopt these two in her own artist's perspective as well. - Her mission is to master her own style that would allow her to draw portraits with such likeness and sophistication in a short period of time. This, she hopes, would be highlighted in her SHADOWS series. - Her vision is quite unclear right now as her imagination is currently thronged with pictures of the unattainable. She does, however, wish to see her art being displayed and cherished in as many "places" as possible.

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