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Fornicating Under Consent Of Spectral Color Print

Yurii Yermolenko

Ukraine

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ABOUT THE ARTWORK

Yurii Yermolenko, "Fornicating Under Consent Of Spectral Color", (day lighting), 2019, ("GOLDILOCKS ZONE" project), fluorescent acrylic on vinyl, 30x30 cm. A spectral color is a color that is evoked in a normal human by a single wavelength of light in the visible spectrum, or by a relatively narrow band of wavelengths, also known as monochromatic light. Every wavelength of visible light is perceived as a spectral color, in a continuous spectrum; the colors of sufficiently close wavelengths are indistinguishable for the human eye. The spectrum is often divided into named colors, though any division is somewhat arbitrary; the spectrum is continuous. Traditional colors in English include: red, orange, yellow, green, blue, and violet. In some other languages the ranges corresponding to color names do not necessarily agree with those in English. The division used by Isaac Newton, in his color wheel, was: red, orange, yellow, green, blue, indigo and violet; a mnemonic for this order is "Roy G. Biv". Less commonly, "VIBGYOR" is also used for the reverse order. In modern divisions of the spectrum, indigo is often omitted. One needs at least trichromatic color vision for there to be a distinction between spectral and non-spectral colours: trichromacy gives a possibility to perceive both hue and saturation in the chroma. In color models capable of representing spectral colors, such as CIELUV, a spectral color has the maximal saturation. In color spaces which include all, or most spectral colors, they form a part of boundary of the set of all real colors. If luminance is counted, then spectral colors form a surface, otherwise their locus is a curve in a two-dimensional chromaticity space. Theoretically, only RGB-implemented colors which might be really spectral are its primaries: red, green, and blue, whereas any other (mixed) color is inherently non-spectral. But due to different chromaticity properties of different spectral segments, and also due to practical limitations of light sources, the actual distance between RGB pure color wheel colors and spectral colors shows a complicated dependence on the hue. Due to location of R and G primaries near the almost "flat" spectral segment, RGB color space is reasonably good with approximating spectral orange, yellow, and bright (yellowish) green, but is especially poor in reaching a visual appearance of spectral colors between green and blue, as well as extreme spectral colors. The sRGB standard has an additional problem with its "red" primary which is shifted to orange due to a trade-off between purity of red and its reasonable luminance, so that the red spectral became unreachable. CMYK is usually even poorer than RGB in its reach of spectral colors, with notable exception of process yellow, which is rather close to spectral colors due to aforementioned flatness of the spectral locus in the red–green segment. Note that spectral color are universally included to scientific color models such as CIE 1931, but industrial and consumer color spaces such as sRGB, CMYK, and Pantone, do not typically include any spectral colors. Exceptions include Rec. 2020, which uses three spectral colors as primaries (and therefore only includes precisely those three spectral colors), and color spaces such as the ProPhoto RGB color space which use imaginary colors as primaries. Fuck is a profane English-language word which often refers to the act of sexual intercourse but is also commonly used as an intensifier or to denote disdain. While its origin is obscure, it is usually considered to be first attested to around 1475. In modern usage, the term "fuck" and its derivatives (such as "fucker" and "fucking") can be used as a noun, a verb, an adjective, an interjection or an adverb. There are many common phrases that employ the word as well as compounds that incorporate it, such as "motherfucker," "fuckwit", "fuckup" and "fucknut". It is unclear whether the word has always been considered vulgar or, if not, when it first came to be used to describe (often in an extremely angry, hostile or belligerent manner) unpleasant circumstances or people in an intentionally offensive way, such as in the term motherfucker, one of its more common usages in some parts of the English-speaking world. Some English-speaking countries censor it on television and radio. Andrea Millwood Hargrave's 2000 study of the attitudes of the British public found that fuck was considered the third most severe profanity and its derivative motherfucker second. Cunt was considered the most severe. Nevertheless, the word has become increasingly less vulgar and more publicly acceptable, an example of the "dysphemism treadmill", wherein former vulgarities become inoffensive and commonplace. According to linguist Pamela Hobbs, "notwithstanding its increasing public use, enduring cultural models that inform our beliefs about the nature of sexuality and sexual acts preserve its status as a vile utterance that continues to inspire moral outrage." Hobbs considers users rather than usage of the word and sub-divides users into 'non-users', for whom the word "evokes the core sexual meanings and associated sexual imagery that motivate the taboo", and 'users' for whom "metaphorical uses of the word fuck no more evoke images of sexual intercourse than a ten-year-old's 'My mom'll kill me if she finds out' evokes images of murder," so that the "criteria of taboo are missing." Because of its increasing usage in the public forum, in 2005 the word was included for the first time as one of three vulgarities in The Canadian Press's Canadian Press Caps and Spelling guide. Journalists were advised to refrain from censoring the word but use it sparingly and only when its inclusion was essential to the story. The Oxford English Dictionary states that the ultimate etymology is uncertain, but that the word is "probably cognate" with a number of Germanic words with meanings involving striking, rubbing and having sex or is derivative of the Old French word that meant "to fuck." The word has probable cognates in other Germanic languages, such as German ficken (to fuck); Dutch fokken (to breed, to beget); dialectal Norwegian fukka (to copulate), and dialectal Swedish focka (to strike, to copulate) and fock (penis). This points to a possible etymology where Common Germanic fuk- comes from an Indo-European root meaning "to strike", cognate with non-Germanic words such as Latin pugno "I fight" or pugnus "fist". By application of Grimm's law, this hypothetical root has the form *pug–. There is a theory that fuck is most likely derived from Flemish, German, or Dutch roots, and is probably not derived from an Old English root. There may be a kinship with the Latin futuere (futuo), a verb with almost exactly the same meaning as the English verb "to fuck". From fūtuere came French foutre, Catalan fotre, Italian fottere, Romanian futere, vulgar peninsular Spanish joder, Portuguese foder, and the obscure English equivalent to futter, coined by Richard Francis Burton. However, there is no clear past lineage or derivation for the Latin word. These roots, even if cognates, are not the original Indo-European word for to copulate, but Wayland Young argues that they derive from the Indo-European *bhu– or *bhug– ("be", "become"), or as causative "create". A possible intermediate might be a Latin 4th-declension verbal noun *fūtus, with possible meanings including "act of (pro)creating". However, the connection to futuere has been disputed‍—‌Anatoly Liberman calls it a "coincidence" and writes that it is not likely to have been borrowed from the Low German precursors to fuck. Greek phyō (φύω) has various meanings, including (of a man) "to beget", or (of a woman), "to give birth to". Its perfect pephyka (πέφυκα) can be likened to "fuck" and its equivalents in other Germanic languages. One reason that the word fuck is so hard to trace etymologically is that it was used far more extensively in common speech than in easily traceable written forms. There are several urban-legend false etymologies postulating an acronymic origin for the word. None of these acronyms were ever recorded before the 1960s, according to the lexicographical work The F-Word, and thus are backronyms. In any event, the word fuck has been in use far too long for some of these supposed origins to be possible. Some of these urban legends are that the word fuck came from Irish law. If a couple were caught committing adultery, they would be punished "For Unlawful Carnal Knowledge In the Nude," with "FUCKIN" written on the stocks above them to denote the crime. A similar variant on this theory involves the recording by church clerks of the crime of "Forbidden Use of Carnal Knowledge." Another theory is that of a royal permission. During the Black Death in the Middle Ages, towns were trying to control populations and their interactions. Since uncontaminated resources were scarce, supposedly many towns required permission to have children. Hence, the legend goes, that couples that were having children were required to first obtain royal permission (usually from a local magistrate or lord) and then place a sign somewhere visible from the road in their home that said "Fornicating Under Consent of King," which was later shortened to "FUCK." This story is hard to document, but has persisted in oral and literary traditions for many years.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 16 H x 1.25 D in

Size with Frame:

17.75 W x 17.75 H x 1.25 D in

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Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

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