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Miles Davis & Jimmy Witherspoon Print

Yurii Yermolenko

Ukraine

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About The Artwork

Yury Ermolenko, ''Miles Davis'' - Facevinyl - THE BIG COLLECTION - №2, side I, 2013, acrylic on vinyl. The History of Jazz and Blues. Yury Ermolenko, ''Jimmy Witherspoon'' - Facevinyl - THE BIG COLLECTION - №2, side II, 2013, acrylic on vinyl. The History of Jazz and Blues. Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born and raised in Illinois, Davis left his studies at the Juilliard School in New York City and made his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival in 1955, he signed a long-term contract with Columbia Records and recorded the 1957 album 'Round About Midnight. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter recording remains one of the most popular jazz albums of all time, having sold over four million copies in the U.S. Davis made several line-up changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another mainstream success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P (1965) and Miles Smiles (1967), before transitioning into his electric period. During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing line-up of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin. This period, beginning with Davis' 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz. His million-selling 1970 record Bitches Brew helped spark a resurgence in the genre's commercial popularity with jazz fusion as the decade progressed. After a five-year retirement due to poor health, Davis resumed his career in the 1980s, employing younger musicians and pop sounds on albums such as The Man with the Horn (1981) and Tutu (1986). Critics were generally unreceptive but the decade garnered the trumpeter his highest level of commercial recognition. He performed sold-out concerts worldwide while branching out into visual arts, film, and television work, before his death in 1991 from the combined effects of a stroke, pneumonia and respiratory failure. In 2006, Davis was inducted into the Rock and Roll Hall of Fame, which recognized him as "one of the key figures in the history of jazz." Rolling Stone described him as "the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century," while Gerald Early called him inarguably one of the most influential and innovative musicians of that period. James Witherspoon (August 8, 1920 – September 18, 1997) was an American jump blues singer. Witherspoon was born in Gurdon, Arkansas. He first attracted attention singing in Calcutta, India, with Teddy Weatherford's band, which made regular radio broadcasts over the U.S. Armed Forces Radio Service during World War II. Witherspoon made his first records with Jay McShann's band in 1945. He first recorded under his own name in 1947, and two years later with the McShann band, he had his first hit, "Ain't Nobody's Business," a song that came to be regarded as his signature tune. In 1950 he had hits with two more songs closely identified with him—"No Rollin' Blues" and "Big Fine Girl"—and also with "Failing by Degrees" and "New Orleans Woman", recorded with the Gene Gilbeaux Orchestra (which included Herman Washington and Don Hill) for Modern Records. These were recorded at a live performance on May 10, 1949, at a "Just Jazz" concert in Pasadena, California, sponsored by Gene Norman. Another classic Witherspoon composition is "Times Gettin' Tougher Than Tough". Witherspoon's style of blues—that of the "blues shouter"—became unfashionable in the mid-1950s, but he returned to popularity with his 1959 album Jimmy Witherspoon at the Monterey Jazz Festival, which features Roy Eldridge, Woody Herman, Ben Webster, Coleman Hawkins, Earl Hines and Mel Lewis, among others. Witherspoon later recorded with Gerry Mulligan, Leroy Vinnegar, Richard "Groove" Holmes and T-Bone Walker. In 1961 he toured Europe with Buck Clayton and returned to the UK on many occasions, featuring on a mid-'60s live UK recording, Spoon Sings and Swings (1966), with tenor sax player Dick Morrissey's quartet. In 1970, Witherspoon appeared on Brother Jack McDuff's London Blue Note recording To Seek a New Home together with British jazz musicians, including Dick Morrissey, again, and Terry Smith. In the 1970s Witherspoon also recorded the album Guilty! (later released on CD as Black & White Blues) with Eric Burdon and featuring Ike White & the San Quentin Prison Band. He then toured with a band of his own featuring Robben Ford and Russ Ferrante. A recording from this period, Spoonful, featured Witherspoon accompanied by Robben Ford, Joe Sample, Cornell Dupree, Thad Jones and Bernard Purdie. He continued performing and recording into the 1990s. Other performers with whom Witherspoon recorded include Jimmy Rowles, Earl "Fatha" Hines, Vernon Alley, Mel Lewis, Teddy Edwards, Gerald Wiggins, John Clayton, Paul Humphrey, Pepper Adams, Kenny Burrell, Harry "Sweets" Edison, Jimmy Smith, Long John Baldry, Junior Mance, Ellington bassist Jimmy Woode, Kenny Clarke, Gerry Mulligan, Jim Mullen, Count Basie, Van Morrison, Dutch Swing College Band, and Gene Gilbeaux, among others. In the 1995 film Georgia, Witherspoon portrayed a traveling, gun-collecting blues singer, Trucker, who has a relationship with the troubled character Sadie, played by Jennifer Jason Leigh. He played Nate Williams in The Black Godfather (1974) and Percy in To Sleep with Anger (1990). Witherspoon died of throat cancer on September 18, 1997, in Los Angeles.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

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