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View In My Room

230529_Silbury_Hill Print

Jonathan Spencer

United Kingdom

Open Edition Prints Available:
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10 x 10 in ($40)

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ABOUT THE ARTWORK

This is one in a series of Digitally Remastered Drawing prints that are drawn from around the area where I live. It is an area of outstanding natural beauty that has been shaped by farming and inhabited for thousands of years and some of my drawings are of the ancient monuments that are dotted around the region. It is an ongoing project working in the landscape around River Thames (and slightly further afield) reaching back to the autumn of 2022, but as it progresses, I will replace the older ones or ones that I feel have been superseded with new ones on an ad hoc basis. The idea is to create a collection of landscapes that rolls and evolves with the seasons. My method of working is to create two drawings ‘en plein air’ the first is a black and white drawing and the other is in colour. Back in the studio I use the black and white drawing to create a depth map in a computer graphics programme and then use the colour version to paint the depth map with colour. This provides a layer of miss-registration and additional texture to the drawing. The final version is rendered in virtual glass resulting print is digitally printed on artist quality paper at whatever size is wanted. More recently I have been using a slide format to provide a frame and structure to the prints, this is for the fun of seeing the 35mm slide format at a large scale (it is a format I used a lot at art school) and to reflect on the ephemeral nature of media. The original artworks are not for sale, but they are available as unlimited edition prints at various sizes from this website, the bigger the better.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

10 W x 10 H x 0.1 D in

Size with Frame:

15.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I studied fine art painting in the 1980s and then went on to do a master’s degree in computer animation, since then I have been constantly involved in the television industry (mainly in the design of virtual and augmented reality) and have used my time outside work to explore my interest in time-driven art works. I look to apply elements of chance to my work. The serendipitous fracturing and distressing of images has been with me for a long time, I was buying random vinyl records, sanding them down, photographing and recording them and then inking them up to print at college and that spirit lives on. Mostly these days I write software tools to apply synchronicity and use samplers rather than audio tape and a razor blade. However, that systematic approach to deconstructing audio forms with white noise, effects pedals and re-sequencing led me back to drawing as a primary form of self-expression, but I still need barriers to obstruct the process of looking and mark making. In part I have achieved this writing software tools, but the hunt of primary source material led me back to drawing. The creation of the two halves of an image ‘on-plein-air’, the depth matte in black and white and the colour pass, gives me that excitement of never quite knowing what you until the two are combined and you render it.

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