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Birds of a feather... - Limited Edition of 100 Print

Martin Rieser

United Kingdom

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 10 in (€68)

10 x 10 in (€68)

16 x 16 in (€99)

24 x 24 in (€170)

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Black (€68)

White (€68)

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Metal: Light Pewter (€128)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Inspired by Picasso's variations on a bull theme combining free drawing with digital colour and variety. A celebration of the wonderful world of birds.

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Trained as both Printmaker and Photographer at Atelier 17 and Goldsmiths, Professor Martin Rieser has always been fascinated by the possibility of creating fragmentary narrative structures and interactive stories using new technology. This has led him into his current explorations using mobile and locative technologies and large-scale interactive video experiences. Professor Rieser has worked in the field of interactive arts for many years. He has recently returned to electronic printmaking in which field he was a pioneer and curator, developing the first International Electronic Print exhibition in the Uk at Arnolfini Gallery in Bristol in the lat 1980s.He also developed the first reliable method of printing full colour computer images om ceramic surfaces in the early 1990s. He is Joint research Professor between the Institute of Creative Technologies and The Faculty of Art and Design at De Montfort. His art practice in internet art and interactive narrative installations has been seen around the world including Cannes; Holland, Paris; Vienna, Thessaloniki, London, Germany, Milan and Melbourne, Australia. He has published numerous essays and books on digital art including New Screen Media: Cinema/ Art/Narrative (BFI/ZKM, 2002), and has recently edited The Mobile Audience, a book on locative technology and art due out this year from Rodopi.

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