35 Views
1
View In My Room
Fine Art Paper
8 x 10 in ($100)
White ($80)
35 Views
1
Artist featured in a collection
PLAYING WITH FIRE’ When we hit adolescence we tend to transition from ‘playing’ to ‘playing with fire’. From an evolutionary perspective, the task of adolescence is to prepare us to leave home, venture into the world and forge an identity. This is why the teenage brain entices us to experiment with emotional intensity, creativity, socialising, and the need for peer approval. Like a car with a powerful gas pedal and weak brakes, the adolescent brain is activated by the mere excitement of the presence of peers or anticipation of being observed by peers. Lower baseline levels of dopamine leads teens to feel easily bored and ready to rev up. Fueling the fire, the teenage brain releases higher levels of dopamine in response to novelty, creating an intense rush and making teens more vulnerable to taking risks. It’s not that teens fail to understand the risks involved or that they cannot use higher mind thinking and planning to make good judgments, but when their reward system is activated around peers, the power of the anticipated rush is so strong that this feeling dominates their mindset and the thrill of ‘playing with fire’ just seems worth it. The most interesting thing, however, is that many of us grow into adulthood still seeking this risk taking rush, needing the resulting peer approval, the false sense of identity through surviving emotional intensity, the associated dopamine hit. Is it that we never really grow out of adolescence, the games just become more risky? Or is it that through ‘playing with fire’ we can test or even toy with our mortality - and therefore feel truly alive?
Giclee on Fine Art Paper
8 W x 10 H x 0.1 D in
13.25 W x 15.25 H x 1.2 D in
White
Yes
Ships in a Box
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United Kingdom
Emma Irma Johansen was born in Lithuania and spent half of her life in Denmark. From a very young age she was obsessed with painting, drawing, cutting, sewing, and creating and later went on to study fine arts, costume design, design technology & patterns, and sustainable fashion at college. Emma works with and combines different methods and mediums to show the beauty behind different physical structures, looking deeper and portraying more than what can be seen with the naked eye. Emma draws inspiration from traveling, conveying onto canvas her unique observation of different environments, different cultures, architecture, and more. Most of Emma’s library of pictures she has captured with her camera are of abandoned places; very poor (and pure) environments, places where many cannot see beauty. But through the abstract portrayal of her pictures, Emma’s point is to show the public that everything is imperfect, and there is beauty in those imperfections. Emma loves to experiment with new materials with every new project, always trying to break the bounds of the traditional canvas. Lately she’s explored sustainability by reusing old fabrics and recycled clothing, in order to make something valuable from something seemingly worthless. She is impassioned by the exploration of fabric-manipulation, how it can stretch, shrink or be forced into structured shapes at one end, then lead into natural flowing states at the other. Combining these skills with use of acrylics and other mixed media Emma creates both unique and thought-provoking works.
Artist featured by Saatchi Art in a collection
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