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View In My Room

Out of the mirror-Limited Edition 1 of 8 - Limited Edition of 8 Print

Okbi Han

South Korea

Open Edition Prints Available:
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Canvas

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14 x 21 in ($194)

14 x 21 in ($194)

16 x 24 in ($209)

20 x 30 in ($239)

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White Canvas

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White ($150)

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$344

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ABOUT THE ARTWORK

Out of the mirror, digitally painted with ipad. Limited editions are printed by myself, and come with my signature. *** The person in the mirror is the real me. Living in this Covid era, the mask shadows your face. That might let us not to wear corsets, as I do not put on my make up. (The “corset” in this sentence refers to the frame which is implicitly forced upon women by the modern society in South Korea.) And society won’t force me to be a pretty doll because they also get disgusted by make up on mask. I’m a feminist who likes to groom myself. I’m trying to make an ideal shape of my body, to match the green dress. Stick out the breasts, squeeze the anus and abs. That makes your body look more like girls in the magazines. Also more healthy to your spine. While I’m trying my best to make my walk sissy. The girl in the mirror is also trying hard, copying me. She is just like me chasing wonders. She is telling me to stop chasing them, so she can relax her body.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

14 W x 21 H x 1.25 D in

Size with Frame:

15.75 W x 22.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hi, I am Okbi. I was born and raised in Korea. Okbi is my artist name, by the way. I don't like my real name as it's a bit common in Korea. As common as Becky in the English speaking world, I guess.I majored in fine art and usually paint with my iPad. The big reason being that Korea is kind of small, and the rent is high. So I tend to work with my iPad since I lack the place to store lots of materials. Until last year, I was obsessed with so-called contemporary art, critical toward discriminations against those marginalized in Korean society. Then I met people who worked on such art while not knowing a reason why Sewol Ferry disaster happened; and also those who didn't even know why the South Korean president was impeached. I became doubtful, and these days I tend to focus on works that are more personal. I wouldn't bring out my personal "dark past," however. I had enough chance to work with my past in college. Furthermore, I believe art should be beautiful, not dark.

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