36 Views
0
View In My Room
Canvas
20 x 16 in ($132)
Black Canvas
White ($160)
36 Views
0
☻My creations are shaped by a wide range of means and tools -with few limits- according to the requirement and adaptability of each work: Acrylic Paintings (mopping, dilution, pouring, and Oil ('' impasto'', “frottage”, “Glazing” and “scrumbling” / Encaustic painting / Temple grassa / Chiaroscuro / Innovative abstract mixed technique / Cross pattern // Digital graphic art (stylus and digital brushes, achieving effects impossible with traditional media) - Algorithmic art on canvas. Certain museum-quality prints are hand-finished with an acrylic finish, gouache, a combination of texture and chromatic composition with the application of gels, pastes, water-based wax, gesso, ecological inks; dimensional-3D paint (Puffy paint); metallic paints; enamels, pigments embedded with texturing media; glossy and medium matte, with transparent and varnished UV coating. On some occasions the overpainted printed material has been digitized and electronically reworked and the result is an amalgam of several layers where figures and background seem to mutate and amicably interchange the physical painting and its digital counterpart.* Some pieces are ready to hang and others are sent unstretched Canvas or quality Giclée / Fine Art Paper (Permajet Portrait White) rolled in tube. * All works are Signed and come with Certificate of Authenticity * (Only the originals of some works on request can be made in a smaller size) ♦In my humble concept, true Art comes from within ... and not from other places. With some frequency it is essential to reach the ABSTRACTION of this world that we call "Reality" in order to cope with it and digest it. (At least, for our mental and emotional health, it is good to abstract from linear thinking and the experience of the materiality that surrounds us, as much as possible). In the art universe it is sometimes necessary to deconstruct the 'real' scene and then reconstruct a new, unique and non-transferable internal painting language. Abstractions sometimes cannot be understood but at the same time they mobilize emotions due to their singular, rebellious and capricious appearance. Perhaps it only reflects what probably cannot be said or defined, in a perception alien to material reality, although abundant in formal and dimensional possibilities configuring a spatial and temporal vagueness. Most of my works tend to be very expressive, atmospheric, opening and closing different mood spaces. Capturing the strength of the chromatic sound, it is necessary to develop a very fine intuition, to enter the labyrinth of images, forms and concepts, soothing the restlessness and confusion of the creative path, in a continuous exploration of color, form and its flexibilities. In the process of abstraction, simple, archetypal scenes begin to emerge, which are mutating until they become complex, abstract images, secret landscapes, which assume their own identity. In these mental landscapes, the figurative is inexorably diluted, until the invisible essence is enhanced. Anyway, in the underlying energy of my works everything is allowed, the abstraction together with the figuration are associated to build a new reality; nothing seems to be restricted, everything seems to spread, like an irrepressible burst of emotions. The compositions, at first whimsical and deliberate, hide a layered metamorphosis. Gestural language and calculated movement coexist by mutual agreement. There is a conflict between the imagined, the planned and the spontaneous, accepting the course and the inaccuracy as vital and inherent parts of each work. In fact, everything is there leaving itself present, like polyphonic games of enunciations that perhaps are only passing through us. And we can and must only let them pass. The 'skin' of the paintings is seen, touched, smelled, but never its matrix. Perhaps there is no mold, but always transmissions, spillage and influxes. Making art means carving and creating in the face of uncertainty; live with doubts and contradictions. Doing what you want means putting these ambiguities aside so that you can see clearly where to go next. Doing the work you want to do means finding nutrients within the process itself.
2019
Giclee on Canvas
20 W x 16 H x 1.25 D in
21.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
Please visit our help section or contact us.
Argentina
Ella, dibuja y pinta prácticamente desde sus primeros años de vida (a los 4 ya plasmaba en papel imágenes con mucho sentido estético /Condición y talento innato). No obstante, se puede establecer que es artista con cierta profesionalidad desde los 7 años de edad; cuando ya hacía gala de pequeñas obras en la rama figurativa (como casi todo niño), pero luego fue desarrollando una fuerte inclinación hacia el expresionismo y más tarde incursionó en expresionismo abstracto; aunque no abandonaba lo figurativo y hasta en el 'realismo' realizaba buen trabajo. Para su corta edad evidenciaba un llamativo equilibrio y armonía en la composición, y de hecho, fue esbozando su propio estilo.A lo largo de su extensa carrera ha sido una artista consecuente y respetuosa de su trabajo, de continuidad destacable. Fue forjando una identidad pictórica basada en percepciones físicas y expansión de la conciencia por medio de acción cromática multiforme, ágil y experimental sobre el lienzo y otros materiales.Dentro del diseño gráfico se especializa en el campo de la ilustración. En permanente exploración de identidad en el Arte posmoderno, Expresionismo abstracto, Cubismo, arte Psicodélico, El Surrealismo, Texturas, El Diseño generativo. En la actualidad fusiona el dibujo y la pintura con la realidad virtual y la tecnología. En forma paralela, fue germinando un nuevo estilo de lenguaje plástico. En él, el protagonismo está ejercido por el arte digital, y sus derivados. La forma y el color no sugieren personajes u objetos sino que son meros aspectos de un marcado vínculo con la pintura informalista. El desarrollo de este estilo tomó años; y en lugar de limitar su trabajo a un área en particular, prefiere ampliar su campo de especialización en todas las direcciones en las que puede extender su imaginación, libre de las ataduras de la arquitectura inalterable, para sumergirnos en un ambiente de mezclas audaces y perfectamente coordinadas. Su obra está plena de líneas de comunicación con lo anterior, lo actual, lo futuro... y más allá. En una suerte de irreverencia frente a lo fijo, a las estructuras arquetípicas, un impulso de resaltar la transformación infinita, el devenir natural. Para esta artista cada estado presente contiene rasgos y experiencias de lo anterior, sucedido como un sin fin recurrente. La artista -de una grafía atildada y obsesiva- suele navegar por espacios cargados de símbolos e ideogramas herméticos, con enigmas introspectivos casi inaccesibles.
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