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Fine Art Paper
10 x 10 in ($65)
White ($80)
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The Golden Age(s) of Piracy A satirical piece on the parallels of Piracy contained in several centuries. The first from swashbuckling, marauding, colonial outcasts that plagued naval vessels of European powers during the 1700s. Blackbeard being the most famous- via his ship the "Queen Anne's Revenge". The second, being the dawn of the digital age of Piracy circa 1997-1999. Technology ushered in and changed the landscape for the way we accessed and consumed media. The creation of Napster ( whose colorway was superimposed on Blackbeard's Flag) disrupted a multi-billion dollar industry through peer-to-peer sharing networks for music. This opened the door for other forms of what were deemed "acts of piracy" including film and computer software. A simplistic, comic-style illustration via use of halftone patterns for transparency, paper texture, pen strokes, and archetypes symbolic of the subject. Boots of a Swashbuckler nestled below a computer desk with cutlass to the side. A now humorous, yet uncanny resemblance drawn between two very different eras. History truly does repeat itself.
2019
Giclee on Fine Art Paper
10 W x 10 H x 0.1 D in
15.25 W x 15.25 H x 1.2 D in
White
Yes
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Illustrator, Artist, Designer for X of Pentacles- a design house based in Richmond, Virginia. Prior to working as a designer/illustrator, I was previously enrolled in the local police academy. Two months shy of graduating- I suffered a concussion during training that left me with cognitive deficits. Months later I lost my father to a heart attack, and shortly after lost our home. I began sketching as a form of bereavement and outlet to cope with my losses. Once symptoms began to improve, I taught myself graphic design, illustration, sewing and used those skills to create the brand known as X of Pentacles. Paired with my obsessive passion for textiles and classic menswear- began releasing limited prints in partnership with high-end fabric mills in England and Italy. Most of my works are related to my journey in starting the brand, and are such reflections of personal stories and influences from my life - Music, Literature, Cinema, Fashion, Western Occult/Esoteric Ideology. Some of these were classic black & white films that I watched when I couldn't tolerate color television as a result of my injury. Some works were influenced by memories of my father or items I sifted through when we lost our home. My use of new media (graphic illustration) allows me to explore art through use of tangible traditional tools (charcoal, ink, pen, photography, graphite, watercolor) and employ them in a digital space via textile. All of my work comes from a place of resilience. I have no formal training as an artist, and often struggled with giving myself that title- yet art was what allowed me to experience emotion again, during a time when it had all been drained from me.
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