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Fukushima The Day After - Limited Edition 1 of 10 Print

Sylvia B

China

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About The Artwork

Series: The History Of The 21st Century I think we all tend to forget too easily. I created a series of artworks under the theme "The History of the 21st Century." My work does not take on any political perspective, yet rather commemorates events so as keep these past episodes alive in our common memory. In doing so the art provokes viewers to understand our lives today and the influence it has had of the most recent past along with its impact on current global policies. The project consists of multiple works grouped around current events. Let us remind ourselves of the repercussions that can affect our laws and how we see each other. This poster is a commemorative one. This is how I imagined "the Day After" this tragic incident. In March 2011, an earthquake (magnitude 9) and the following tsunami caused a blackout of a nuclear power plant in Fukushima. The National Police Agency has confirmed 15,894 deaths, 6,152 injured, and 2,562 people missing (Wikipedia) This poster was displayed in the International Poster Exhibition "Chernobyl 30, Fukushima 5" in Kharkov UKRANIA, in the exhibition halls "Ermilov Center", in the framework of the exhibition program of the Moscow International Biennale of Graphic Design "Golden Bee 12" and the European Week of Memory dedicated to the 30th anniversary of the Chernobyl disaster and the 5th anniversary the tragedy of Fukushima. The exhibition was organized by "Association of Graphic Designers '4th Block'; Foundation for Development And Support Of Graphic Design "Golden Bee" (Russia); Chernobyl Historical Workshop (Ukrania); International Education Center "Dortmund / IBB" (Germany). Limited edition of 10 + 2 AP printed on high quality photo paper

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hi, I am Sylvia, I was born and raised in a small Polish city near the Polish-German border. In my art, I try to describe our times – with the main point on language, culture and woman issues - problems, identity, gender. To connect Words with concepts. Art offers an incredible opportunity to communicate -- using as few words as possible.- - with people of all languages and all backgrounds – we can interchange ideas, present certain points of view, transmit them one to another, and even without direct contact, we communicate. During my art studies (postgraduate) I took part in some open juried international art calls for artists. As a result, my first exhibitions were juried international ones. The one I’m especially proud of is 12th Global Biennale of Graphic Design Golden Bee, where the members of preselection online jury came from South Korea, Iran, Czech Republic, Switzerland, USA, Japan and Ukraine and the members of the main jury were from Germany, France, Switzerland, Japan, Russia, Estonia, and the USA. My poster “Dante For Ever” got included in the final exhibition and printed catalog. This event had a huge impact on me, as I found out that my art, in this case, poster art can be understood by people of different cultural ties and backgrounds. After graduation I was supplementing my income by working as a translator in a press agency – that was a great experience that opened my eyes on global issues, and since that time, I try to follow (by internet) all the most interesting topics that will have global impact like e.ex elections in the US. I follow also some of the congressional hearings, as they are much more interesting than feature films ; - ) I hope one day I will visit the USA and the Capitol and watch Congress in session; -) I never know where the inspiration will come from; sometimes it is a short press article, or “breaking news”, sometimes it is a sentence, or an object or a place. That is why I reach for so many seemingly incompatible topics and themes while working with many different techniques. In my digital art, I only use the photos I made, including sometimes pieces of my previous artworks, that I destroyed for a number of different reasons.

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