Rick Rubin Print

Patrick Edward Indo (b1982) Manly Australia aka INDO is a professional urban graffiti street artist, Commercial Mural Artist, illustrator, Graphic Designer & Tattoo artist based in Crescent Head, Macleay valley - Northern NSW Australia. in the late 2010s, where he quickly gained recognition for his unique style and ability to transform urban spaces into vibrant works of art. With a deep appreciation for the culture and history of graffiti, Indo seamlessly blends traditional graffiti techniques with contemporary elements, resulting in visually captivating masterpieces. Indo's impressive portfolio showcases his versatile skills as a commercial mural artist, illustrator, graphic designer, and tattoo artist. His ability to translate complex concepts into visually appealing compositions has garnered the attention of numerous clients, ranging from established businesses to private collectors seeking original and captivating pieces. Having honed his craft over the years, Indo has solidified his reputation as a true virtuoso in the art world. Armed with an acute sense of visual aesthetics, he fearlessly uses bold colours, captivating subject matter, and intricate details to captivate viewers and leave a lasting impression on their minds. Beyond his undeniable talent, it is Indo's fearless approach that sets him apart. While many may shy away from controversy, Indo fearlessly tackles sensitive topics, pushing the boundaries of societal norms and challenging viewers to question preconceived notions. Currently based in Crescent Head, Macleay Valley, Northern NSW Australia, Indo continues to push the boundaries of his artistic endeavour. Whether collaborating on large-scale murals with councils, government organisations, charities & commercial brands, creating striking urban street art on canvas for interior designers and commissioned original pieces, or crafting meaningful tattoos, his dedication to his craft shines through in each and every creation. For Indo the artist, it's not simply a means of expression, but a vehicle for social commentary, reflection, and connection. With each stroke of the brush or spray of the paint can, he invites viewers into a world where art transcends boundaries, ignites conversation, and leaves an indelible mark on the collective consciousness.