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Storm clouds gather over 'El Cortijo de los Pinos' Print

Scott Charles Leichhardt Hollingsworth

Spain

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About The Artwork

Another, (the only other, for the moment) landscape developed from the original biro drawing into a digital paiting using Krita (see further down for program details). Very flexible medium, really suits my way of working. As you can see (in the video) this was a drawing in green BiC biro, then using only that scanned drawing as a palette when developing the digital painting. From the Andalusian landscape series, developed from own photographs taken on drives around the province. Video description, timelapse video at https://www.youtube.com/watch?v=ojWlb0EQjA8 absolutely racing on this one, haha. Twice my usual speed. This is one screen capture every five seconds, and then playback at 50 frames per second. (It was thirteen minutes at my usual 24 frames per second. I don't assume I have fans that are willing to give me that much time. I like to pretend that you'll do six or seven minutes) Now it's 6 minutes and forty seconds at 50 frames per second. each minute is roughly four hours, or four minutes per second. Basically works out to twenty seven hours. That explains that frantic feeling, but turns out to be a good match for the music, which is "Danse Macabre" by Kevin MacLeod As usual the digital painting program is Krita. https://krita.org Timelapse created in Blender. https://blender.org with screenshots captured with AutoScreenCapture https://sourceforge.net/projects/autoscreen/ The text layer was created in Inkscape, https://inkscape.org All open source programs, free to download and to use, free of commercial restriction on use. Ask me more if you want to. I might try a video explaining the same soon. Danse Macabre by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?collection=005 Artist: http://incompetech.com/

Details & Dimensions

Print:Giclee on Photo Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

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Abstract Pointlessism from a pointless abstractor "I sometimes feel I have something to say, I never want to communicate this." taking doodling seriously, since the get go. Born under a bad sign, next to a world record slag heap, not far from where Paul Hogan would launch his famous larger than life aussie character onto the world stage in the first Crocodile Dundee movie, this escaped aussie, this nomad who never travels but who has never lived in the same town for any length of time, this layer of legends this miser this nob-end this shine on you crazy nightmare. The man known as @spaingaroo and legend in his own lunchbox thinks he's so important that he gave up his life to hide away and paint until it means something. It still seems to mean nothing, and the dogs seem pretty disappointed that we don't jet around the globe, taking in French poodles on the Champs Elisses, or at least riding through Paris in a sports car, with the warm wind in our hair. At the age of twenty seven, he realised he needed to go to art college, with the warm self assurance of your normal child prodigy. Trouble was those years between said child prodigy and then. lost, lost, doing stupid things going to med school before flunking out in a championship way, to spend his time on wine women and song, before suddenly waking up as an artist again. The system took him in again a decade later, against their better judgement, and ended up spitting him out with a BA in Visual Arts and a raging workaholism. Ripe for rapid burnout after shooting for the stars, he instead got sidetracked by the wiff of a señorita and ended up deciding to take a leap off the edge of the known world and washed up in Spain. Still here. Paints or draws or masturbates obsessively, every single day. Often puts a month or more of those days into a single small artwork. Considers himself completely insane, but somehow still basically high functioning. Against all odds and inner turmoil he continues to surprise us at each turn, or at least the us that he imagines giving a shit. And not really surprise so much as pity. He says his work is about the inside of his head, which there are no words for. Even if sometimes the artwork is made of words, it's not, let me assure you. Those words are not there, and they express nothing. And that's not as mad as it seems, as nothing is as it seems with this guy.

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