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Italy
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8 x 12 in ($40)
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White ($80)
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In some of my paintings a portion of urban landscape has been cancelled, as happened in 016titled012, a painting dominated by the silhouette of a statue dedicated to Giuseppe Garibaldi in the foreground, in front of an apartment block; however, it is an iconic silhouette without the least detail – completely white – while the rest of the canvas is occupied by an alternation of floors, verandas and small illegally-built balconies, as well as air-conditioning units that dot the façade of this building, one of the first that welcomes me when I enter the city. Originating with the fascination kindled in me by that building, and to satisfy a purely formal exigency, I obliterated the “Hero of Two Worlds”, only to realize later that my action had not been really necessary. These years in Naples have given me many remarkable encounters and lively exchanges of opinion. Very often, my friends and I have asked ourselves about the significance of the Nation of Italy and about the still relevant question of the South of Italy; after a more profound reflection, it seems to me that it has been no accident or random occurrence that, in my Naples, Giuseppe Garibaldi has disappeared, leaving the stage for a heap of buildings that testify to an uncontainable human energy, made up of as many Italians as foreigners, so numerous in the area of the central train station, known as both Central Station and Garibaldi Station, however one might like to call it.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Italy
"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, London
Artist featured by Saatchi Art in a collection
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