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2010-1 - Print
View In My Room


2010-1 Print

Zhang Haiying


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Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in


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i am from beijing, i live in songzhuang artist village as a painter.wish you like my paintings.thanks eveyone .my email:szhzok@hotmail.comwebsite:www.zhanghaiying.comZhang Haiyings Anti-Vice campaingn Series is based on Internet photographs of young women caught up in the Chinese governments efforts to purge the city of prostitution and pornography. The highly publicized campaign to eliminate vice and illegal publications focuses on the apprehension and detention of young women such as these, who are among the most powerless of the countrys citizens. Victimized on one hand by gangs and threatened with fines and prison by authorities on the other, they are often paraded through streets to face insults and ridicule. Zhang is not attempting to present a case for the decriminalization of prostitution, but as an artist, hopes instead to portray their frail humanity and the sympathy their shame evokes. The series examines the anguish of the purge, from the crime itself to arrest and detention. Taken as a whole, Anti-Vice paintings reflect an awkward condition in contemporary Chinese society. by Colleen stricker Fresh Paint project ,usaZhang Haiying's Anti-Vice Campaign series takes as its subject the Chinese governments recent initiatives in eradicating prostitution and pornography. Executed on monumental scale and in faux social realist style Zhang's paintings use the devices of propaganda for non-politicised means: his works neither advocate nor criticise illicit activity, but draw from the associated issues of power, exclusion, vulnerability, and perception to create images of emotive discord. Finding his source material on the internet, Zhang translates photographic images with subtle painterly manipulations to enhance mass media aesthetics and its conflicting messaging. His tones dramatic reds over cold greys - allude to both authoritative iconography and strip club sleaze, while his stylised figures are made to look strangely hyper-real, like computer generated avatars, or celebrities overexposed in paparazzi swarms; women objectified by their equally desirable and degrading portrayal.Zhang renders these scenes with a master's craftsmanship. Hair, flesh, fabric, objects are constructed as self-contained elements, their individual treatment creating a sense of isolation and disunity in the collage effect.

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