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Toile coton sur châssis bois, 2 cm d'épaisseur. Pourtours et bords rouges (pas besoin d'encadrement). Acrylique et feutres Posca. La toile est vernie. Elle est signée à l'avant (bas gauche). Le titre de la toile ainsi que le tampon officiel sont apposés au dos, sur cette toile comme sur toutes les toiles Frob. Elle est munie d'un crochet. Mode portrait 80x60 cm. Description : Reprise libre et nue du célèbre "déjeûner sur l'herbe" d'Edouard Manet, maître de l'impressionisme. Ca a choqué en 1863. Maintenant c'est tous à poil. Réalisation : Un ciel bleu, une forêt, des coulures, des tâches, pour figurer les personnages. Des épaisseurs. Ensuite, les feutres gras puis fins pour encadrer la couleur, définir les contenus. Des détails organiques. Le fond n'est lui pas surligné de noir pour établir la perpective. Du rose chair et du vert végétal.
2020
Giclee on Canvas
16 W x 12 H x 1.25 D in
17.75 W x 13.75 H x 1.25 D in
White
White Canvas
Yes
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France
B. in 1970, FROB has always drawn on notebooks corners. During his law school, he escaped benches of the faculty crunching his similar, also inspired by his exciting and vibrant teachers' long litanies. He now works as an independent on the day and then at night, insomniac, he draws and paints. He loves coffee. He also loves comics and it is visible in his compositions with broad black lines. Initially focused on portraits, FROB now operates on a form of naive, raw, figurative free (at least that's what his knowledged relatives told him). He likes to have a big black felt pen in the pocket and acrylic tubes and pots never too far (except during the day because he works). He learns discovering, constantly experimenting. New and curious phenomenon : when he has not been painting for 2 days, he has a left hand little tremor.
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