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Baby Unicorns Print

Bill Jehle

United States

Open Edition Prints Available:
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16 x 12 in ($95)

16 x 12 in ($95)

32 x 24 in ($190)

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$230

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ABOUT THE ARTWORK

When I was painting these I was thinking about a beautiful but ambiguous jewel floating in a field of color. On Baby Unicorns I floated that golden jewel on a field of black as a meditative object and a pathway to another dimension. I was thinking of the blue lines (that I meticulously masked and painted) in the red and black areas creating shapes themselves and simultaneously giving volume to the red and black areas. Like lines of force holding it together. The gold leaf rectangles delineate space and create an overall feeling of floating in perspective. I painted these on super heavy 600lb Arches watercolor paper that has been extensively prepared for permanence and longevity. They can be easily mounted on panel or canvas for framing.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 12 H x 1.25 D in

Size with Frame:

17.75 W x 13.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was raised in a small town on the California Mexico border. My parents were both artists, father-architect, mother-painter/ceramicist. Several kinds of art activities were always on the schedule whether it was visiting craftspeople in Mexicali, silkscreening Christmas cards that I would design, watching my mother paint - and always drawing. One year we painted 20 larger than life versions of Lautrec’s Parisian night life scenes for a “church” gala. My father was not only an architect but he made things-that’s where I learned how to make things-and now I make things too. I was educated locally and at CU Boulder, CalARTS and Cooper Union.Some of the teachers that had the biggest influence with me: Jerry Kunkel, Jack Whitten, Paul Brach, Miriam Schapiro, Lynda Benglis and Jim Starrett. My work has been exhibited in Los Angeles, Kansas City, Hawaii and is in both corporate and private collections around the country. In 2017 I partnered with another artist to produce twenty large scale images for a Metro station in Santa Monica California. Now my practice consists of sculpture (with a bend toward the utilitarian,) architectural rendering, life and plein air drawing and watercolor (of which I’ve published several books) and complex formal abstraction that encompass’ my interest in natural phenomena, psychedelic experience, western and eastern systems of geometry and philosophy. I love ambiguities – in shape, pigment, texture, as well as a more contemplative aspect of focus and intensity.

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