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Black Grey Merge Print

Lizzie Wells

United Kingdom

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 10 in (€34)

10 x 10 in (€34)

16 x 16 in (€60)

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No Frame

Black (€68)

White (€68)

Natural Wood (€68)

Metal: Light Pewter (€128)

Metal: Dark Pewter (€128)

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€34

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Black Grey Marge consists of sheets of painted paper which are cut and woven together to create one final image, with the weaving making a pattern across the surface. My influences again in this piece are Bridget Riley and Escher. This piece is framed (size 25.5cm x 25.5cm x 4.5cm) and is ready to h...

Year Created:

2016

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

After graduating in Graphic Design from Ravensbourne College of Art and Design, I worked on magazines for a number of years, including working as Assistant Art Editor for Good Housekeeping and then as Art Editor on Ideal Home. After that I set up a graphic design business with my husband Richard with a wide variety of international clients. Alongside this I have recently resumed a style of art which involves painting paper (using acrylics and oil paint sticks), then cutting and weaving it. I first started this technique at art college, but put it on hold while I furthered my career in publishing. In some examples, I create two images which are cut and woven together to create one final image, with the weaving making a pattern across the surface. In other instances, I use the weaving to change the flow and shape of an image. My influences include Bridget Riley, M C Escher and Vasarely

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