Blue 1/6 Print

senses and feelings of my infancy the intense feeling of colors I use red, yellow, blue and white, four acrylic pigments from which I can produce infinite shades and tones. Each painting corresponds to a color, which covers its center. Gradually it changes to its four edges, mixes with the other colors, tones. The other colors emphasizes the central and at the same time makes the object_painting "seem to be secretly illuminated from inside, the light gushing from inside, thus giving an impression of solidity and materiality" (Merleau-Ponty) . Lines and small geometric shapes with bold, contrasting colors, pop up. Some of them have been covered, only one trace of them is left, while others have been highlighted and have become more intense. These act as slits, or holes that break the one-sidedness of the central color of the board, creating movement, rhythm and ultimately interest. Rothko had said that if there is depth in his work, it is in the emotion. I am interested in emotion, because it is overlooked and underestimated in relation to logic in our society. The feeling of lack, of incompleteness, but also of the incomprehensible, of what lets me imagine, motivates me and it's shaped in my work.