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Philip Leister
Canvas
16 x 16 in ($125)
Black Canvas
White ($150)
232 Views
6
Artist featured in a collection
Bucephalus or Bucephalas (/bjuːˈsɛfələs/; Ancient Greek: Βουκεφάλας, from βοῦς bous, "ox" and κεφαλή kephalē, "head" meaning "ox-head") (c. 355 BC – June 326 BC) was the horse of Alexander the Great, and one of the most famous horses of antiquity. Ancient accounts state that Bucephalus died after the Battle of the Hydaspes in 326 BC, in what is now modern Punjab Province of Pakistan, and is buried in Jalalpur Sharif outside Jhelum, Punjab, Pakistan. Another account states that Bucephalus is buried in Phalia, a town in Pakistan's Mandi Bahauddin District in Punjab Province, which is named after him (Alexandria Bucephalous). Bucephalus was named after a branding mark depicting an ox's head on his haunch. A massive creature with a massive head, Bucephalus is described as having a black coat with a large white star on his brow. He is also supposed to have had a "wall eye" (blue eye), and his breeding was that of the "best Thessalian strain." Plutarch says in 344 BC, at twelve or thirteen years of age, Alexander of Macedonia won the horse by making a wager with his father: A horse dealer named Philonicus the Thessalian offered Bucephalus to King Philip II for the remarkably high sum of 13 talents. Because no one could tame the animal, Philip was not interested. However, Alexander was, and he offered to pay himself should he fail. Alexander was given a chance and surprised all by subduing it. He spoke soothingly to the horse and turned it toward the sun so that it could no longer see its own shadow, which had been the cause of its distress. Dropping his fluttering cloak as well, Alexander successfully tamed the horse. Plutarch says that the incident so impressed Philip that he told the boy, "O my son, look thee out a kingdom equal to and worthy of thyself, for Macedonia is too little for thee." Philip's speech strikes the only false note in the anecdote, according to A. R. Anderson, who noted his words as the embryo of the legend fully developed in the History of Alexander the Great I.15, 17. The Alexander Romance presents a mythic variant of Bucephalus's origin. In this tale, the colt, whose heroic attributes surpassed even those of Pegasus, is bred and presented to Philip on his own estates. The mythic attributes of the animal are further reinforced in the romance by the Delphic Oracle who tells Philip that the destined king of the world will be the one who rides Bucephalus, a horse with the mark of the ox's head on his haunch. Source: Wikipedia
2020
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
Artist featured by Saatchi Art in a collection
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