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ABOUT THE ARTWORK
The "Ceramic teeth wheel" series is a conceptual test trial. I want to try something called "conceptual contrast". For example, lightsaber from Star Wars. It is a sword (old fashion cold weapon) of laser (modern technology). In my case, I choose the ceramic (delicate and fragile) with teeth wheel (metal and machinery). White version is dark teeth wheel layering on top of white background. On the other hand, blue version is light teeth wheel layering on top of dark background. I use the all blue shades color palette again because it can often represent fine china itself. Well, after I took photo of them I have to say that I think the paintings look better in person. It is a little hard to adjust the picture without other color. Although I have tried my best to match the color of digital profile and the actual product, the color might still vary depending on different monitor settings. Please be aware of this fact. The painting is framed with gold/black floater frame. Canvas size 20"×24", framed size 21.5"×25.375". It is ready to hang. I hope you enjoy this piece~ :D
Original Created:
2022
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Print:
Giclee on Fine Art Paper
Size:
8 W x 10 H x 0.1 D in
Size with Frame:
13.25 W x 15.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Yue Zeng
United States
My paintings are an outlet to express the imagination I have inside my head that I can not put into words. After trying many mediums, I always find myself coming back to paint and brushes. In my current artistic practice, I use oil paint and mainly create portraits of mythical creatures and animals transfixed in the shifting colors of seascapes and landscapes. There is a natural spirit and magic to these creatures and their energy draws me in. Choosing to paint these creatures as real living wildlife rather than abstractions, I use bold and vivid colors to express the imaginary intertwined with reality, finding magic between the seams. Using a saturated color palette, I create bold and striking imagery, contrasted between foreground and background, subject and landscape, and light and darkness. Weaving their bodies and the surface of the landscape into each other through organic forms and flowing brush strokes, I find beauty, strength and innocence in these creatures that reflect my inner world.
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