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Canvas
20 x 16 in ($137)
White Canvas
White ($160)
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The pig is on its way to a mowing job, but the pig's cutter bar is still at rest. The sugar beet found on the ground comes first. Size: 40 x 50 x 2,3 cm (15.7" x 19.7" x 0.9") HxWxD Painting: Acrylic on canvas Original, unframed Signed Finished August 2015 Background story This mutated pig takes care of everything by himself. It is self-employed without personnel. The term independent contractor is still used. Are chips then also independent contractors? Like any other biological vehicle, this pig has a regular garage veterinary. In this case Quick-Vet. Tire pressure is regulated fully automatically via the gastrointestinal tract and a compressor. This compressor also controls the cutter bar. Occasionally, the pig receives nutritional advice via the central agricultural network. Just like with hypersonic drones, the functions of this self-employed pig are also monitored online and adjusted where necessary. Changing tires is a different story, but at the speeds on land and a permit for low speeds on the back roads, this pig does not need new tires for the time being. By the way, a drone from the agricultural network flies high in the sky. Occasionally he goes off-roading with a few good friends, but then the cutter bar is assembled first. In the red rib pattern on the pig's side, environmental energy capacitors are in place that feed its bio battery. The biobattery provides the power for its electronic circuit. And if necessary, it can continue mowing at night with a floodlight. You don't actually need it, because you simply follow the farmland matrix just like during the day. With light is more pleasant. The sugar beet found is a great opportunity, not to be missed. He starts to grunt. A clock lights up on its internal display because of the set working time on the indicated farmland would now start a little later. The sun is still low. So first enjoy the extra breakfast.
2015
Giclee on Canvas
20 W x 16 H x 1.25 D in
21.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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Netherlands
Jan Jacobs has been working on his new painting oeuvre since 2014. His paintings arise from his vision of the future, in which other, new forms occur. Yet he can count himself among the modern realists. He is fascinated by the influence of technology on the many facets of our existence. His subjects are about situations in space or on earth with automatic devices, spacecraft, people, animals and mutants painted entirely according to his own vision. For a long time he already had ideas about this future, but how do you transform them into a concrete drawing or painting? He often goes to museums to look at beautiful paintings. The paintings tell him a lot about the way in which a painting result is achieved, real and not real, as in real reality. With Jan Jacobs, paintings arise from powerful images and thoughts that come to him, which he must first allow to happen and which can happen to him at the most unexpected moments. In the office, as an employee of a technical wholesaler, during a telephone conversation with a customer, he can suddenly have an image attack and he then must ensure that the customer does not notice it. Creatures, robots, machines pass by in a colorful procession. Behind the drawing board it is a lot of fun to work out those ideas. They are drawings and notes together on the same sheet of paper. Then he begins with his painting. Since 2014, to his great relief, there has been more structure and clarity in his work and he is able to handle all this form information much better. His oeuvre grows and grows, now that he can place his own storm of images on paper and on canvas.
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