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14 x 21 in ($258)
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ABOUT THE ARTWORK
Crowding the Tail End is a vivid oil painting, I've intertwined expressionism with pop art and symbolic elements to capture the euphoric climax of a cricket match. The dynamic figures, portrayed in an exaggerated, animated style, highlight intense emotions as they converge in triumph and disappointment. The choice of monochromatic tones, interspersed with hints of color, emphasize the timeless joy of communal sports, reflecting the universal language of passion and competition. It focuses on recent change in cultural and social values and human relationships. The nature of sportsmanship is questioned in the culture of Cricket. This artwork brings an energetic pulse to any space, celebrating human connection and the spirit of the game. The work focuses on how sport is affected by recent changes in cultural and social values and human relationships. The nature of sportsmanship is questioned in the culture of Cricket.
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
14 W x 21 H x 1.25 D in
Size with Frame:
15.75 W x 22.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
White Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Gregory Cliffe
Australia
My initial art training occurred in TAFE and Colleges of Advanced Education in Sydney, Australia the 1970s, where I was strongly influenced by Abstract Expressionism, sculptural formalism and performance-installation art. I practiced as a sculptor and performance artist until the late 80s. This was punctuated by two performances at the Cite Internationale Des Artes, Paris in 1984 courtesy of a AGNSW Moya Dyring Studio residency and an Australia Council travel grant. In the 1990s I began to paint and studied a Master of Arts at The University of Western Sydney from 99-2001.Over 20 years my studio research evolved to embrace the concept of "totalized time" and the stratification of memory in my work lends itself to the historical references I use in my paintings, creating a mixture of philosophical and ideological threads through time.
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Artist featured by Saatchi Art in a collection
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