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Fine Art Paper
12 x 9 in ($40)
White ($80)
98 Views
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Artist featured in a collection
When I was painting this I was thinking of the way the calligraphy and limited palette in Chinese ink paintings evoke such subjective and ethereal secondary images. The black calligraphic figure in the center that even though you can see in several passages sits improbably on top of the blue it still punches through to an infinite space. Sort of like the space Don Quixote occupies in our history and imagination. The Gold leaf figure could represent here the shield and breastplate. The thin red lines are the lines of force that correspond to the golden mean geometry holding it together. You can feel the gold leaf rectangle in the lower left anchors everything in a virtual space and creates the overall feeling of stepping off into and floating in an imaginary perspective. I painted these on super heavy 600lb Arches watercolor paper that has been extensively prepared for permanence and longevity. They can be easily mounted on panel or canvas for framing.
2012
Giclee on Fine Art Paper
12 W x 9 H x 0.1 D in
17.25 W x 14.25 H x 1.2 D in
White
Yes
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I was raised in a small town on the California Mexico border. My parents were both artists, father-architect, mother-painter/ceramicist. Several kinds of art activities were always on the schedule whether it was visiting craftspeople in Mexicali, silkscreening Christmas cards that I would design, watching my mother paint - and always drawing. One year we painted 20 larger than life versions of Lautrec’s Parisian night life scenes for a “church” gala. My father was not only an architect but he made things-that’s where I learned how to make things-and now I make things too. I was educated locally and at CU Boulder, CalARTS and Cooper Union.Some of the teachers that had the biggest influence with me: Jerry Kunkel, Jack Whitten, Paul Brach, Miriam Schapiro, Lynda Benglis and Jim Starrett. My work has been exhibited in Los Angeles, Kansas City, Hawaii and is in both corporate and private collections around the country. In 2017 I partnered with another artist to produce twenty large scale images for a Metro station in Santa Monica California. Now my practice consists of sculpture (with a bend toward the utilitarian,) architectural rendering, life and plein air drawing and watercolor (of which I’ve published several books) and complex formal abstraction that encompass’ my interest in natural phenomena, psychedelic experience, western and eastern systems of geometry and philosophy. I love ambiguities – in shape, pigment, texture, as well as a more contemplative aspect of focus and intensity.
Artist featured by Saatchi Art in a collection
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