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View In My Room
Fine Art Paper
6 x 12 in ($40)
White ($80)
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This work is part of the 'Endless Force' series, depicting the rear views of two cars. The artist used the technique of pouring acrylic paint vertically to express speed and power. The piece visually represents endless energy and force that transcend time and space. Artist Kang Min-seok explores the pursuit of happiness and individual paths in the midst of fierce competition. Through the distorted forms of the cars, he conveys an inner narrative. This artwork visually expresses the distortion of time and space through the shape of the cars, revealing internal struggles and relentless challenges. The red hues and strong color contrasts emphasize the sense of speed of the cars. The thick texture of the paint creates an artificial yet dynamic feel. This abstract deconstruction of time, space, and speed conveys infinite power and energy. The cars' forms in the artwork symbolize external pressures and internal conflicts, through which the artist seeks his identity and conveys both hope and fear for the future. This piece symbolizes the inner conflicts, relentless challenges, and the will to move forward despite an uncertain future. The intense colors and dynamic expression reveal the artist's inner world, leaving a profound impression and resonance with the viewers.
Giclee on Fine Art Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
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South Korea
Throughout my life, I have expressed myself through art. From a young age, I have been fascinated by time and speed, and as an adult, I have come to express myself through the subject of automobiles. As time has passed, my artistic focus has shifted from emphasizing the external allure of automobiles to expressing their inner strength, developing a unique style. In my current work, I depict distorted car shapes as metaphors for the modern generation’s pursuit of happiness and the self-determined paths carved out amidst intense competition. Utilizing acrylic paints, I employ a squeegee scraping technique and incorporate embroidery to create artificial straight lines, conveying notions of speed and temporal forms. This fusion of methods allows me to explore the dynamic interplay between abstraction and representation, reflecting the complexities of contemporary existence.
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