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Figure by the Lake Print

Mahmood Hayat

Pakistan

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Fine Art Paper

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12 x 6 in ($100)

12 x 6 in ($100)

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About The Artwork

Inspired by Leda and the Swan. I love to paint and depict my subjects in a classical realm, expressing birth, joy, and characteristics to safeguard what is dear to me. The process evolves from layers upon layers. There is nothing definite. I learn with every new painting I start, till I finish it. The painting is varnished. While applying varnish and impasto brushwork, do note there are some fine lines on the painting surface visible on a very close level as it comes under the process, not visible from a normal viewable distance. The artist has employed scratch techniques and impasto brushwork to add depth and dimension to the painting. These techniques involve deliberate textural variations, giving the artwork a tactile quality that enhances its visual appeal. During the varnishing process, it's possible for minor scratch marks or lines to become visible on the surface. This can happen because the varnish, which is a clear protective coating, can sometimes accentuate subtle surface irregularities. It's important to note that any minor scratch marks or lines that may appear during varnishing are typically only visible upon very close inspection. From a normal viewing distance, which is how the artwork is intended to be observed, these imperfections are usually not noticeable.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 6 H x 0.1 D in

Size with Frame:17.25 W x 11.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a painter, who graduated from the oldest art institute in the subcontinent namely; the National College of Arts in 2007. My love for appreciating and finding inspiration in fine art started at an early age when I was introduced to traditional techniques of painting and finishing classical french interior products. Later on, I discovered my passion to learn about the techniques and how beautifully the old masters used to paint and draw figures. This path led me towards practicing the art of portrait, studying the old masters, and from there generating my own unique original expression. My artworks are influenced by the personal things which happen in my life and I am a silent person. The only way I can express my inner feelings is through painting them on the canvas or watercolors on paper, be that animal or human form. My focus is mostly on painting anatomy and figurative. Before I plan to lay it down on my canvas, I make sure that I have drawn my subject or sketch of my concept on a small piece of paper to understand and clear my concepts. This exercise makes me correct my proportions in understanding how to approach my subject on a large-sized canvas or paper. The references that I use for my artworks are sometimes my own documented images. Sometimes I use anatomical images from books or the internet searches and fuse them in my own composition since finding a nude model in Pakistan is near to impossible due to religious factors and threats. I also believe that while I am working with composition, at the same time I am drawing with knowledge from my past experiences and imagining how light falls to illuminate that subject. My intentions are not to simply paint a picture, but rather to paint a feeling. Whenever I am painting anything I dream and imagine a story that goes inside my mind. I render my subjects with the help of subtle shifts in light and apply harmonious warm colors to compliment my composition. The most important thing that matters to me is; How I can serve others? I believe the most valuable currency in life is how you make people around you feel when and when they view my paintings. How my skill, talent, and expression define who I am, and how people see me as that unique person with an original expression. I paint a certain subject and remove myself from that scene. How the viewer reacts to it, is not under my control.

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