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Galicia Print

Miré Albornoz

Canada

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ABOUT THE ARTWORK

The painting was executed following a first time trip to Galicia, a trip that included a visit to the artists grandmother’s childhood home and a first time reunion with newly found family. The painting depicts the characteristic rock formation of the Northwestern European coast, the vastness of the land and the ocean. The painting appears fractured between geometric cuts, revealing a hint of a backdrop, an additional layer, behind the one that is shown. Represents the layers of history upon which a nation and a family are built and the fracturing off of the unit into individuals as you zoom in, while maintaining the integrity of the piece. The image of how we initially view a family as a homogeneous unit becomes an image composed of many entirely different parts. As we gain more knowledge over time, those pieces shift apart and back again and so on. There is a calm and stability arrived at in this work in spite of the reminder of the shifts that take place, as Leonard Cohen sang about, cracks through which the light comes in. Again, the theme of the boat on the water, touching on the question of permanence. The piece belongs to a series of paintings dealing with emigration and a return to the country one left behind. Theme of fracture and unity happening at once.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

9 W x 12 H x 0.1 D in

Size with Frame:

14.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Miré Albornoz (b. 1968, Paris, Fr) is best known for her geometric abstract collage and acrylic painting. Her work focuses on pure geometric form, with its two-dimensional flatness reduced to the essential composition and on the use of colour as an integral part of expression. Her work shows a clear development over the span of three decades, from the classical to the gradual reduction of elements, a purification influenced by Cubism, modern architecture and Mid-Century Expressionism.  
 The artist’s practice is both additive and reductive, something that the immediacy of the collage medium facilitates. She says:  
 “I'm most interested in the finding, the excavation of truths when I practice a certain detachment. Unstructured elements oftentimes form part of an order, as they do in nature. So for me, an artist is not so much an inventor as a medium that discovers what already exists, that belongs to everyone. I’m fascinated by the magic beyond what we can initially see, when we extract the elements in our field of vision out of their every day context. I want to inspire people who see my work to do the same, whether a place, an object or the human form, to see beauty beyond our cultural notions. To not only understand abstraction, but to see with that newfound understanding and to be transformed by their new ways of looking at the world".  
 Miré’s intention is to communicate a universal visual language that is accessible to a wide audience and will transcend the barriers between art and people. The works are meant to evoke a subconscious emotional recognition in the viewer.  Miré lives and works in Toronto.  


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