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Happy Days Fudge Bar - Print
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Happy Days Fudge Bar Print

Erica Hauser

United States

Limited Edition of 100
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Fine Art Paper

Fine Art Paper

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10 x 10 in ($75)

10 x 10 in ($75)

Limited Edition of 100

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Natural Wood ($80)

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Natural Wood ($80)

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857

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link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

Based on a vintage ice cream wrapper. 3/4" thick wood. Finished painted edges. Keyhole notch on back for hanging.

Details & Dimensions

Print:Giclee on Fine Art Paper

Saatchi Art Limited Edition of:100

Size:10 W x 10 H x 0.1 D in

Edition Details

Exclusive to Saatchi Art:Saatchi Art’s curators have worked with artists from around the world to hand-pick every artwork we offer as Limited in order to provide you with an unmatched selection of limited edition prints. We are proud to offer "Happy Days Fudge Bar" by Erica Hauser, which is available exclusively on Saatchi Art.

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Legal Disclosure

The term "limited edition" has various meanings depending upon the artist, publisher, distributor and seller (or reseller). Saatchi Art uses the term "limited edition prints" to denote two dimensional art prints available through a pre-publication license agreement between the artist and Saatchi Art and sold pursuant to an exclusive prints publication arrangement.

My colors are inspired by vintage materials, old crayons, textiles, toys. I used to paint in a more representative way, depicting the actual objects, the signs and buildings. Over the past few years, I started to abstract the idea of my own memories, being in a space like a roller rink or playroom; recalling patterns on juice glasses, board games, beach towels. I’d been stacking shapes in my work for some time before I made the connection to my longtime job as a firewood stacker. The way I fit the pieces together, balancing them, supporting against each other, or about to fall, but never quite. Then the shapes became a way to explore color combinations. I use acrylic paint, a lot of color mixing, layers, in person you might see the texture of the canvas or wood, shapes are smooth edged but a little messy. Vibrant and murky colors side by side. I love trying to get the look of layers of old paint on the side of a building or a piece of furniture. Where you can read the surfaces. You can see ridges of paint strokes, or you see the grain beneath, so the paintings become tactile like the sculptures. I realized that my most recent paintings represent an aspect of who I am and where I am. Both a more optimistic side of myself, as well as the wistful side of me that longs for something I can’t describe. When I painted vintage cars or phone booths, I was interested in the nostalgia one might feel for something they can’t quite remember themselves, but can appreciate the object (or image of it) that suggests a memory. I could find great pleasure in looking at such a thing. The process of painting deepened my experience of the subject, and sometimes brought me a story that a viewer would share. Moving to an abstract representation of these ideas was a natural progression in my work. I am finding my personal connection to what I make, linking a formal approach to an emotional, expressive one.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Bristol, New York

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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