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Honey Print

Tracey Lane

United States

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$120USD
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About The Artwork

This painting started out as an experiment in working larger and on canvas rather than wood. I stapled the canvas to my studio wall and started with broad strokes and a huge brush. I have been photographing bees on hydrangeas this summer and I think that's where the imagery/palette comes from. The magenta/red violet is the color of the hydrangeas and once I saw the dripping gold/yellow I thought of honey and added the vessel in the lower right section; a pot of gold if you will. It was all a very intuitive process and I was just responding to what was happening on the canvas. It is only in retrospect that I can see what my inspiration was--honey bees!

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My paintings are a celebration of the mystery of nature and the promise and complexity of life that exists in nature. All of my work is about the experience of light and shadow, color and texture, the play between the seen and the unseen, between memory and imagination. I am most inspired by the quiet drama of nature; trees bending toward the light, silent reflections, sunlight breaking through clouds. My visual language has evolved over the years but I seem to have settled on something that combines a love of abstraction with a contemporary realism. The work reflects a personal history; childhood summers spent on Jekyll Island, GA where live oaks drip Spanish moss and marsh meets ocean; countless walks in woods among pines, birches, aspens. As with all things in nature, there is that brief moment that says everything. The bird that suddenly catches my eye through the window, pausing on a branch just long enough for me to get a photograph. The quality of light and shade in a forest, under a tree, or as reflected in water. The flower blooming today that wasn’t blooming yesterday. I work mostly on wood panels, sometimes using brushes and other times palette knives, combining heavy, thickly applied paint with watery washes that drip randomly. This process enables me to capture the spirit of the subject, its wildness. For wildness, as Bill McKibben writes in The End of Nature, stirs the imagination and creates in us "the sense that we are part of something with roots stretching back nearly forever, and branches reaching forward just as far."

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