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IRISH HARE Print

Colin Davis

United Kingdom

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 8 in ($80)

10 x 8 in ($80)

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No Frame

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$80USD

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Unique mixed media artwork using drawing and printmaking based techniques with inks on metal plate.

Year Created:

2011

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Colin was born in Lurgan, Co Armagh, Northern Ireland. After completing a BA (Hons) Degree in Fine Art at Belfast College of Art, he continued his studies in Manchester with a Masters Degree in Fine Art. His work has been exhibited widely throughout Britain and Ireland, including Scandinavia and the USA. During his career he has been the recipient of several prestigious awards and received high profiile commissions. He is represented in several private, public and corporate collections, including the Arts Council for Northern Ireland collection.He has been involved in several collaborative projects between Irish artists and American artists in Ireland and the USA.For several years now my work has been preoccupied with the elements of atmosphere, space and dramatic lighting found within confined internalised spaces. Initially these were fully abstracted explorations, expressed through a series of large charcoal renderings and bold, vivid collages. However to these qualities I began to introduce a further dimension, a feeling of movement, to represent the dynamic of an animal as it disturbs the parameters of the other qualities. These movements are implied by abstract gestures and surface markings, at times very intense and erratic, to convey the strength and tenacity of the creature as it bolts through its notional externalised landscape.In my recent series of work I have continued to draw onto new surfaces and mediums, exposing the results to light sensitive lithographic plates and experimenting with the photographic developing process itself to obtain and enhance the textural qualities produced on the original drawing surface i.e. the subsequent marks and patterns left through the effect of reticulation.

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