'Is the Nature of My Game' Print

Please allow me to introduce myself I'm a man of wealth and taste I've been around for a long, long years Stole million man's soul an faith And I was 'round when Jesus Christ Had his moment of doubt and pain Made damn sure that Pilate Washed his hands and sealed his fate Pleased to meet you Hope you guess my name But what's puzzling you Is the nature of my game Stuck around St. Petersburg When I saw it was a time for a change Killed Tsar and his ministers Anastasia screamed in vain I rode a tank Held a general's rank When the blitzkrieg raged And the bodies stank Pleased to meet you Hope you guess my name, oh yeah Ah, what's puzzling you Is the nature of my game, oh yeah I watched with glee While your kings and queens Fought for ten decades For the gods they made I shouted out Who killed the Kennedys? When after all It was you and me Let me please introduce myself I'm a man of wealth and taste And I laid traps for troubadours Who get killed before they reached Bombay Pleased to meet you Hope you guessed my name, oh yeah But what's puzzling you Is the nature of my game, oh yeah, get down, baby Pleased to meet you Hope you guessed my name, oh yeah But what's confusing you Is just the nature of my game Just as every cop is a criminal And all the sinners saints As heads is tails Just call me Lucifer 'Cause I'm in need of some restraint So if you meet me Have some courtesy Have some sympathy, and some taste Use all your well-learned politnesse Or I'll lay your soul to waste, mm yeah Pleased to meet you Hope you guessed my name, mm yeah But what's puzzling you Is the nature of my game, mm mean it, get down Woo, who Oh yeah, get on down Oh yeah Aah yeah Tell me baby, what's my name? Tell me honey, can ya guess my name? Tell me baby, what's my name? I tell you one time, you're to blame What's my name Tell me, baby, what's my name? Tell me, sweetie, what's my name? ‘Sympathy for the Devil’ by The Rolling Stones Songwriters: Mick Jagger / Keith Richards "Sympathy for the Devil" is a song recorded by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it is the opening track on their 1968 album Beggars Banquet. It is considered one of the best songs of the popular music era, and has been included on multiple "best of" lists, such as 106th on Rolling Stone's 500 Greatest Songs of All Time. It is also the 22nd best ranked song on critics' all-time lists according to Acclaimed Music. "Sympathy for the Devil" is credited to Jagger and Richards, though the song was largely a Jagger composition. The working title of the song was "The Devil Is My Name", having earlier been called "Fallen Angels". Jagger sings in first person narrative as the Devil, who boasts his role in each of several historical atrocities and repeatedly asks the listener to "guess my name." The singer then ironically demands the listener's courtesy towards him, implicitly chastising the listeners for their collective culpability in the listed killings and crimes. In the 2012 documentary Crossfire Hurricane, Jagger stated that his influence for the song came from Baudelaire and from the Russian author Mikhail Bulgakov's novel The Master and Margarita (which had just appeared in English translation in 1967). The book was given to Jagger by Marianne Faithfull and she confirmed the inspiration in an interview with Sylvie Simmons from the magazine Mojo in 2005. In a 1995 interview with Rolling Stone, Jagger said, "..that was taken from an old idea of Baudelaire's, I think, but I could be wrong. Sometimes when I look at my Baudelaire books, I can't see it in there. But it was an idea I got from French writing. And I just took a couple of lines and expanded on it. I wrote it as sort of like a Bob Dylan song." It was Richards who suggested changing the tempo and using additional percussion, turning the folk song into a samba. Furthermore, Jagger stated in the Rolling Stone interview: "it's a very long historical figure — the figures of evil and figures of good — so it is a tremendously long trail he's made as personified in this piece." By the time Beggars Banquet was released, the Rolling Stones had already raised some hackles for sexually forward lyrics such as "Let's Spend the Night Together", and their cover of the Willie Dixon's blues "I Just Want to Make Love to You" etc. There were also claims they had dabbled in Satanism (their previous album, while containing no direct Satanic references in its music or lyrics, was titled Their Satanic Majesties Request). "Sympathy" brought these concerns to the fore, provoking media rumours and fears among some religious groups that the Stones were devil worshippers and a corrupting influence on youth. The lyrics focus on atrocities in mankind's history from Satan's point of view including the trial and death of Jesus Christ ("Made damn sure that Pilate washed his hands to seal his fate"), European wars of religion ("I watched with glee while your kings and queens fought for ten decades for the gods they made"), the violence of the Russian Revolution of 1917 and the 1918 execution of the Romanov family during World War I ("I stuck around St. Petersburg when I saw it was a time for a change/Killed the Tsar and his ministers/Anastasia screamed in vain"), and World War II ("I rode a tank, held a general's rank when the blitzkrieg raged, and the bodies stank"). The song was originally written with the line "I shouted out 'Who killed Kennedy?'" After Robert F. Kennedy's death on 6 June 1968, the line was changed to "Who killed the Kennedys?".[8] And the answer is "when after all it was you and me", which is a way of saying that "the devil is not the other one, but eventually each one of us." The song may have been spared further controversy when the first single from the same album, "Street Fighting Man", became even more controversial in view of the race riots and student protests occurring in many cities in Europe and in the United States. Beggars Banquet is the 7th British and 9th American studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the group's sound throughout the late 1960s and early 1970s. Brian Jones, the band's founder and early leader, had become increasingly unreliable in the studio due to his drug use, and it was the last Rolling Stones album to be released during his lifetime, though he also contributed to two songs on their next album Let It Bleed, which was released after his death. (Jones did, however, contribute to the group's hit song "Jumpin' Jack Flash", which was part of the same sessions, and released in May 1968.) Nearly all rhythm and lead guitar parts were recorded by Keith Richards, the Rolling Stones' other guitarist and the primary songwriting partner of their lead singer Mick Jagger; together the two wrote all but one of the tracks on the album. Rounding out the instrumentation were bassist Bill Wyman and drummer Charlie Watts, though all members contributed on a variety of instruments. As with most albums of the period, frequent collaborator Nicky Hopkins played piano on many of the tracks. Beggars Banquet marked a change in direction for the band following the psychedelic pop of their previous two albums, Between the Buttons and Their Satanic Majesties Request. Styles such as roots rock and a return to the blues rock sound that had marked early Stones recordings dominate the record, and the album is among the most instrumentally experimental of the band's career, as they use Latin beats and instruments like the claves alongside South Asian sounds from the tanpura, tabla and shehnai, and African music-influenced conga rhythms. Beggars Banquet was a top-ten album in many markets, including a number 5 position in the US—where it has been certified platinum—and a number 3 position in the band's native UK. It received a highly favourable response from music critics, who deemed it a return to the band's best sound. While the album lacked a "hit single" at the time of its release, songs such as "Sympathy for the Devil" and "Street Fighting Man" became rock radio staples for decades to come. One of their most acclaimed albums, it is considered the beginning of the band's enduring reputation as the "Greatest Rock 'n' Roll Band in the World". The album has appeared on many lists of the greatest albums of all time, including by Rolling Stone, and it was inducted into the Grammy Hall of Fame in 1999. The Rolling Stones are an English rock band formed in London in 1962. Active for almost six decades, they are one of the most popular and enduring bands of the rock era. Diverging from the pop rock of the early 1960s, the Rolling Stones pioneered the gritty, heavier-driven sound that came to define hard rock. Their first stable line-up comprised of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront of the British Invasion in 1964, also being identified with the youthful and rebellious counterculture of the 1960s. They then found greater success with their own material as "(I Can't Get No) Satisfaction" (1965), "Get Off of My Cloud" (1965) and "Paint It Black" (1966) became international No. 1 hits. Aftermath (1966) – their first entirely original album – is considered the most important of their formative records. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. They returned to their roots with such hits as "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums such as Beggars Banquet (1968), featuring "Sympathy for the Devil", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter". Let It Bleed was the first of five consecutive No. 1 albums in the UK. Jones left the band shortly before his death in 1969, having been replaced by guitarist Mick Taylor. That year they were first introduced on stage as 'The Greatest Rock and Roll Band in the World'. Sticky Fingers (1971), which yielded "Brown Sugar" and included the first usage of their tongue and lips logo, was their first of eight consecutive No. 1 studio albums in the US. Exile on Main St. (1972), featuring "Tumbling Dice", and Goats Head Soup (1973), yielding the hit ballad "Angie", were also best sellers. Taylor was replaced by Ronnie Wood in 1974. The band continued to release successful albums including their two largest sellers: Some Girls (1978), featuring "Miss You"; and Tattoo You (1981), featuring "Start Me Up". Steel Wheels (1989) was widely considered a comeback album and was followed by Voodoo Lounge (1994), a worldwide number one album. Both releases were promoted by large stadium and arena tours as the Stones continued to be a huge concert attraction; by 2007 they had four of the top five highest-grossing concert tours of all time. From Wyman's departure in 1993 to Watts' death in 2021, the band continued as a four-piece core, with Darryl Jones playing bass on tour and on most studio recordings. Their latest album, Blue & Lonesome (2016), became their twelfth UK number-one album. The Rolling Stones' estimated record sales of 200 million makes them one of the best-selling music artists of all time. The band has won three Grammy Awards and a Grammy Lifetime Achievement Award. They were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. In 2019, Billboard magazine ranked the Rolling Stones second on their list of the "Greatest Artists of All Time" based on US chart success. They are ranked fourth on Rolling Stone's list of the Greatest Artists of All Time. Source: Wikipedia