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"Love, Love, Love (II)" [SOLD] Print
Germany
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Fine Art Paper
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8 x 10 in ($40)
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White ($80)
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About The Artwork
The second of a three-paintings series inspired by Erika/Isabelle Huppert in "La Pianiste" by Elfriede Jelinek (book) and Michael Haneke (film) and the need of love, any kind it can be, any shades it can have: tender, raw, physical, platonic, ordinary, obsessive, sick... The metal surface is made of welded steel plates of 0,5 mm thick (welded by me). The painting is mounted on aa aluminum structure/frame of 4 cm thick behind it. All the parts you perceive as red/brownish are rusted. The oxidation process is started in a natural way, with water, salt and other materials. The fascination of this process is that, although the painting is covered by layers of varnishes and wax to protect it from the humidity and air, the rust can not be completely stopped, so that with the time it will change and develop in a surprising way.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
Sabatino Cersosimo was born in Turin in 1974. He studied advertising design and then received a Degree in Painting and Decoration at the Academy of Fine Arts of Turin in 1999. Since 2011 he lives and works in Berlin. Following a line that has its roots in a certain expressionist painting (especially the Viennese Secession) but evolves through the modern mediterranean and english realism, he uses basically two surfaces: metal and wood. Since he mainly paints with oil and oxidation on steel plates, the concepts of time, will and chance have been crucial to the development of his research. Art is historically considered eternal, but Cersosimo's paintings underscore art’s metamorphic nature. Here, we witness artwork as it is developing, shifting, and in some cases, mutating into other forms, much like the elements of nature on the planet. Cersosimo's paintings mirror constellations of humanity in tiny particles. In doing so, they feature many of the commonalities shared among human beings across culture, language, gender, and race.
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