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Mundo de sombras Print

Mátyás Zsolt Sárosi

Romania

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ABOUT THE ARTWORK

The four-part painting features dog fighting, flagellants, opium addicts in their dent, and a cockfight. The subject matter raises the issue of drugs, animal rights and the extremes of religion. Many religions look at this world as a shadow of the afterlife, proclaiming that we will be glorified in the afterlife, that our true existence awaits us in the afterlife, and that our present existence is worthless, meaningless. Because of this, we treat ourselves, others, living beings, irresponsibly, because things are written, and the omnipotent being absolves us of responsibility and forgives our sins. But we could do it, we could achieve heaven on earth, in this life.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

12 W x 16 H x 1.25 D in

Size with Frame:

13.75 W x 17.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Mátyás Zsolt Sárosi, I was born in 1985 in the small Transylvanian town of Kézdivásárhely. I am a graphic artist, my earlier acrylic paintings are also rather colorful graphics. I like to paint/plaster layers by masking and build up the painting like an inverted sgraffito. Lately I have returned to pen and acrylic ink drawing. I attack the large canvas with the opposite impulse, I don't want large scale, airy compositions and spacious brush strokes, but I want to saturate it to the brim with as much detail as possible, typical of miniature painting. The larger the canvas, the thinner the pen. Sometimes it takes me up to a month to fill the page. My drawings can be browsed for a longer period of time, allowing the eye and mind to wander. The overall picture is complex, and here I learn from nature: the closer you look at a formation, the more complex it is, the more you can discover the miniature sprawl of its components, and as you break it down further and closer to its organic and then inorganic structure, to the substance itself in the end, it doesn't get simpler, but on the contrary, more complex with each step closer. In such a drawing, the viewer can examine under a microscope not just the familiar living or inanimate matter, but an abstract, biomechanical world of my own creation. With these drawings, I also search for my roots and the why of the surrealist expression that has accompanied my work throughout.

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