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View In My Room
Canvas
16 x 16 in ($125)
White Canvas
White ($150)
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0
... My space, my imaginary workshop and the place where paper as a metaphor for fragility, maybe mine, is here the main protagonist, absolute and preeminent ... material generally disposable and often discarded, it is undoubtedly the basic tool, our vehicle and the silent continent, the complicit and disinterested witness of thought and written ideas or created images, free and often dispensable, or not. Introspective mirror of reflexions, emotions, frustrations, joys and tragedies ... after all, a faithful and addictive useful or useless object of our creative onanism. Paper landscapes, my paper works, my imaginary creative in a play of light and shadow that seek the physical of metaphysics in a paradoxical harmony designed to observe the real and the imaginary, silent narration or strident silence, what is or what it seems. .. The important thing is not only the understandable but also the exciting ... and it is useful for me. UNIQUE ARTWORK Work created from photomontages and sketches with charcoal, pencil and digital painting with treatment in Photoshop on PC. The support used for final printing is dibond aluminum 3mm.
2020
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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Born in the old Barrio del Carmen in the city of Valencia (Spain) in 1958. Late creative and self-taught. I grew up living in a stage where creative movements and trends converged with a marked critical, social and political sense: Equipo Crónica (Rafael Solbes and Manuel Valdés), Equipo Realidad (Cardells and Ballester), Juan Genovés, Artur Heras, Boix, Armengol, Julio Bosque, and many others. There were several generations between the years 70, 80 and 90 that marked me decisively, I learned ideas, techniques, concepts, the critical sense and to understand beyond the formalisms getting into other creative fields that would give an important turn to my training process. I believe that each one of our referents is in our work, we have sucked them off, we learned from them, but in my case I owe a lot to all those teachers who are in my essence and to whom I read, see and always keep in mind, thanks to José de Ribera, Juan de Juanes, El Bosco, El Greco, Velazquez, Goya, Piccasso, Malevich, Kandinsky, Magritte, Hopper, and many others ... thanks to all of them for making me addicted to the creativity.
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